![With respect to the use of this sparkling coloured material [butterfly wings, around 1955] – the constituent parts of which remain indistinguishable – with the aim of producing a very vivid effect of scintillation, I realised that, for me, this responds to needs of the same order as those that formerly led me, in many drawings and paintings, to organize my lines and patches of colour so that the objects represented would meld into everything around them, so that the result would be a sort of continuous, universal soup with an intensive flavour of life. (Jean Dubuffet)](https://cdn.quotesdtb.com/img/quotes_images_webp/22/jean-dubuffet-aim-butterfly-181122.webp)
With respect to the use of this sparkling coloured material [butterfly wings, around 1955] – the constituent parts of which remain indistinguishable – with the aim of producing a very vivid effect of scintillation, I realised that, for me, this responds to needs of the same order as those that formerly led me, in many drawings and paintings, to organize my lines and patches of colour so that the objects represented would meld into everything around them, so that the result would be a sort of continuous, universal soup with an intensive flavour of life.
Jean DubuffetRelated topics
aim constituent everything indistinguishable intensive led life needs order remain respect result sort soup sparkling universal use vivid meld wings partsRelated quotes
An ancient writer said that arithmetic and geometry are the wings of mathematics; I believe one can say without speaking metaphorically that these two sciences are the foundation and essence of all the sciences which deal with quantity. Not only are they the foundation, they are also, as it were, the capstones; for, whenever a result has been arrived at, in order to use that result, it is necessary to translate it into numbers or into lines; to translate it into numbers requires the aid of arithmetic, to translate it into lines necessitates the use of geometry.
Joseph Louis Lagrange
Malays abhor the state of celibacy. To remain unmarried was and is considered shameful. Everyone must be married at some time or other. The result is that whether a person is fit or unfit for marriage, he or she still marries and reproduces. An idiot or a simpleton is often married off to an old widower, ostensibly to take care of him in his old age. If this is not possible, backward relatives are paired off in marriage. These people survive, reproduce and propagate their species. The cumulative effect of this can be left to the imagination.
Lee Kuan Yew
Thus we see that the child is almost led to tell lies - or what seem to us lies from our point of view - by the very structure of his spontaneous thought. Given this situation, what will be the result of the laws laid down by adults about truthfulness? On the occasion of the first very obvious lies, or of those connected with some offense or other and told therefore with the object of averting punishment or scolding, the parents point out to the child that he has just done something very wrong and thus inculcate in him the respect for truth.
Jean Piaget
If, in pursuing this object, we employ our skill in research, not in forming vain conjectures; and if data are to be found, on which Science may form just conclusions, we should not long remain in ignorance with respect to the natural history of this Earth, a subject on which hitherto opinion only, and not evidence, has decided. For in no subject is there naturally less defect of evidence, although philosophers, led by prejudice, or misguided by false theory, have neglected to employ that light by which they should have seen the system of the world.
Stephen Baxter
True artistic experience is never passive, for the spectator is obliged to participate, as it were, in the continuous or discontinuous variations of proportions, positions, lines and planes. Moreover, he must see clearly how this play of repeated or non-repeated changes may give rise to a new harmony of relations which will constitute the unity of the work. Every part becomes organized into a whole with the other parts. All the parts contribute to the unity of the composition, none of them assuming a dominant place in the whole.
Theo van Doesburg
