Today summoned painfully to earth by a short fat English magician with a dangerous stammer*.
*Dangerous because any verbal hiccup while giving me my orders would break my bonds and uncage my savage wrath. Ooh, gave myself a bit of a shiver writing that. That's literary talent. (Jonathan Stroud)

Today summoned painfully to earth by a short fat English magician with a dangerous stammer. Dangerous because any verbal hiccup while giving me my orders would break my bonds and uncage my savage wrath. Ooh, gave myself a bit of a shiver writing that. That's literary talent.

Jonathan Stroud

Related topics

bit break earth english fat giving magician short talent while wrath today ooh

Related quotes

We hated Bauhaus. It was a bad time in architecture. They just didn't have any talent. All they had were rules. Even for knives and forks they created rules. Picasso would never have accepted rules. The house is like a machine? No! The mechanical is ugly. The rule is the worst thing. You just want to break it.

Oscar Niemeyer

We are in a bit of a policy box and it's going to require us being willing to give up one of the two, which is it's okay to take on more deficits but lets put in some massive spending. Alternatively to say, 'we're going to go through structural unemployment for a while because we want to address deficits.

Indra Nooyi

There is not a Musselman alive who would not imagine that he was performing an action pleasing to God and his Holy Prophet by exterminating every Christian on earth, while the Christians are scarcely more tolerant on their side.

Denis Diderot

Hark how all the welkin rings,, "Glory to the Kings of kings; Peace on earth and mercy mild, God and sinners reconciled!" Joyful, all ye nations, rise. Join the triumph of the skies. Universal nature say "Christ is born today!"

Charles Wesley

Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.

Bertolt Brecht