There's no record industry, and so musicians I know, because I get mail from young musicians, I mean, they're really just struggling to survive, because they're not gonna get a record contract! So what are they doing? To survive? Like I did? I mean, okay I drove trucks, and sold caviar and repaired instruments just to survive. But in the end, you know, I'm in the studio, you know, recording rock music, pop music, whatever! Whatever gives me money to put in my, you know, food in my mouth. And so there's a lot of great musicians today, they're just looking for a gig! And what are the gigs that are going around? The gigs with pop bands or with smooth jazz, funky jazz, you know, a lot of this kind of cliched music. I'm sorry to criticize it like that, but I grew up with Tony (Williams) and you know Miles (Davis), (John) Coltrane, and real things, where there's blood all over the floor, blood all over the stage, that's what the passion's all about.
John McLauglinRelated topics
blood caviar contract drove end floor food gig gives great industry john kind looking mail mean money mouth music pop real recording record rock sold smooth sorry stage struggling studio tony whatever young today okay jazz davis things milesRelated quotes
Nonsense. I think that the problem isn't with them downloading the song, the problem is when they buy the record and when they burn a million discs off their computer for all their friends. That's the reason why every single band, no matter who you are, your sales are chopped by fifty to sixty percent after your first week out. It's a huge problem, but instead of giving people more reasons to buy the product, they don't worry about that. I think you have to enhance the value of the product. Like when KISS was putting out records, their 'Alive' record sold so well because it made you feel like you were part of the concert experience. There was also an actual program in the thing, all these pictures, the KISS Army stuff... There's so much stuff that added to the value of that package. There wasn't a KISS fan out there who didn't want the whole thing, because everything that came along with the music was so worthwhile to them. It's not rocket-science, this stuff.
David Draiman
You are not traditionally beautiful; and you know it. We women do. But what most people mean by beauty is really a kind of aesthetic acceptability, not so much character as a lack of it, a set of features and lineaments that hide their history, that suggest history itself does not exist. But the template by which we recognize the features and forms in the human body that cause the heart to halt, threatening to spill us over into the silence of death-that is drawn on another part of the soul entirely...But all sing, chant, hymn the history of the body, if only because we all know how people regard bodies that deviate from the lauded and totally abnormal norm named beauty. Most of us would rather not recognize such desires in ourselves and thus avoid all contemplation of what the possession of such features means about the lives, the bodies, the histories of others, preferring instead to go on merely accepting the acceptable. But that is not who I am.
Samuel R. Delany
While the others had got married and moved out to suburbia, I had stayed in London and got into the arts scene through friends like Robert Fraser and Barry Miles and papers like The International Times. We opened the Indica gallery with John Dunbar, Peter Asher and people like that. I heard about people like John Cage, and that he'd just performed a piece of music called 4'33” (which is completely silent) during which if someone in the audience coughed he would say, ‘See?' Or someone would boo and he'd say, ‘See? It's not silence-it's music.' I was intrigued by all of that. So these things started to be part of my life. I was listening to Stockhausen; one piece was all little plink-plonks and interesting ideas. Perhaps our audience wouldn't mind a bit of change, we thought, and anyway, tough if they do! We only ever followed our own noses-most of the time, anyway. ‘Tomorrow Never Knows' was one example of developing an idea.
Paul McCartney
Look at England, whose mighty power is now felt, and for centuries has been felt, all around the world. It is worthy of special remark, that precisely those parts of that proud island which have received the largest and most diversified populations, are to day the parts most distinguished for industry, enterprise, invention and general enlightenment. In Wales, and in the Highlands of Scotland the boast is made of their pure blood, and that they were never conquered, but no man can contemplate them without wishing they had been conquered. They are far in the rear of every other part of the English realm in all the comforts and conveniences of life, as well as in mental and physical development. Neither law nor learning descends to us from the mountains of Wales or from the Highlands of Scotland. The ancient Briton, whom Julius Caesar would not have as a slave, is not to be compared with the round, burly, amplitudinous Englishman in many of his qualities of desirable manhood.
Frederick Douglass
[Meat industry] truly is a disgusting industry, all the more so because it's hidden. Have you ever seen animals being shipped to abattoirs? Do you even know where these abattoirs are? Have you ever seen an animal getting killed for the food you eat? It's a dark, dark, dark trade that nobody really knows about, and a hugely profitable one at that. ... If I don't believe in killing animals, why on earth would I do it for the sake of fashion ... I don't think there's any difference, because at the end of the day you're killing an animal and stripping its skin off its body. It's somebody's baby – or it has a baby – it breathes, it lives, it has emotions, it has feelings ... I find it fascinating that leather and fur are so often associated with the top luxury level of fashion. And yet leather, in this day and age, is probably cheaper than a piece of cotton. So there's such a tiny price put on an animal's life.
Stella McCartney
