What I do when I write is that I'll do a raggedy, rough version just to hear the chorus, just to see how much I like the chorus. If it works for me that way when it's raggedy, then I'll know it will just work... Listen to that, that's at home. Janet, Randy, Me... Janet and I are going "Whoo, Whoo... Whoo, Whoo..." I do that same process with every song. It's the melody, it's the melody that's most important, If the melody can sell me, then I'll go to the next step. The idea is to transcribe from what's in your mentality onto tape. If you take a song like "Billie Jean," Where the bass line is the prominent, dominant piece, the protagonist of the song, the main driving riff that you hear, getting the character of the riff to be just the way you want it to be, that takes a lot of time. Listen, you're hearing four basses on there, doing four different personalities, and that's what gives it character, but it takes a lot of work.
Michael JacksonRelated topics
bass character chorus different dominant driving four getting gives hearing home idea jean line listen main melody mentality next piece process prominent protagonist rough see sell song step take tape time version way work write works randy riffRelated quotes
"Well, mother, people have different names for different things. I hear a great deal about Ellery Davenport's tact and knowledge of the world, and all that; but he does a great deal of what I call lying, - so there! Now there are some folks who lie blunderingly, and unskilfully, but I 'll say for Ellery Davenport that he can lie as innocently and sweetly and prettily as a French woman, and I can't say any more. And if a woman does n't want to believe him, she just must n't listen to him, that 's all. I always believe him when he is around, but when he 's away and I think him over, I know just what he is, and see just what an old fool he has made of me."
These words dropped into my childish mind as if you should accidentally drop a ring into a deep well. I did not think of them much at the time, but there came a day in my life when the ring was fished up out of the well, good as new.
Harriet Beecher Stowe
With respect to the homosocial/homosexual style, it seems to be possible to divide Victorian men among three rough categories according to class. The first includes aristocratic men and small groups of their friends and dependents, including bohemians and prostitutes; for these people, by 1865, a distinct homosexual role and culture seem already to have been in existence in England... It seems to have constituted a genuine subculture, facilitated in the face of an ideologically hostile dominant culture by money, privilege, internationalism, and for the most part, the ability to command secrecy... This role is closely related to - is in fact, through Oscar Wilde, the antecedent of - the particular stereotype that at least until recently has characterized American middle-class gay homosexuality; its strongest associations, as we have noted, are with effeminacy, transvestism, promiscuity, prostitution, continental European culture, and the arts.
Eve Kosofsky Sedgwick
In the winter of 1841 Schelling gave his famous series of lectures at the University of Berlin before a distinguished audience including Kierkegaard, Burckhardt, Engels, Bakunin. Schelling set out to overthrow Hegel, whose vast rationalist system including the identification of abstract truth with reality and the bringing of all history into an "absolute whole,” held immense and dominant popularity in the Europe of the middle of the nineteenth century. – 1844 Kierkegaard published Philosophical Fragments, and two years later he wrote the declaration of independence for existentialism, Concluding Unscientific Postscript to Philosophical Fragments. Also in 1844 there appeared the second edition of Schopenhauer's The world as will and idea,.. central emphasis "will” along with "idea” -- two related works by Marx 1844-45 – "attacked abstract truth' as "ideology” "using Hegel as his whipping boy” "men and groups bring truth into being” "money economy turns people into things”.
Rollo May
All of you know I'm having to become quite an expert in this business of asking for forgiveness. And I ----. It gets a little easier the more you do it. And if you have a family, an Administration, a Congress and a whole country to ask, you're going to get a lot of practice. But I have to tell that in these last days it has come home to me again, something I first learned as President, but it wasn't burned in my bones -- and that is that in order to get it, you have to be willing to give it. And all of us -- the anger, the resentment, the bitterness, the desire for recrimination against people you believe have wronged you -- they harden the heart and deaden the spirit and lead to self-inflicted wounds. And so it is important that we are able to forgive those we believe have wronged us, even as we ask for forgiveness from people we have wronged. And I heard that first -- first -- in the Civil Rights Movement. Love thy neighbor as thyself.
Bill Clinton
In my opinion, they are not examples of real conversion. If a person through fear, compulsion, starvation or for material gain or consideration goes over to another faith, it is a misnomer to call it conversion. Most cases of mass conversion, of which we have heard so much during the past two years, have been to my mind false coin... I would, therefore, unhesitatingly re-admit to the Hindu fold all such repentants without much ado, certainly without any shuddhi... And as I believe in the equality of all the great religions of the earth, I regard no man as polluted because he has forsaken the branch on which he was sitting and gone over to another of the same tree. If he comes to the original branch, he deserves to be welcomed and not told that he had committed sin by reason of his having forsaken the family to which he belonged. In so far as he may be deemed to have erred, he has sufficiently purged himself of it when he repents of the error and retraces his step.
Mahatma Gandhi
