Lithuanian baritone Vytautas Juozapaitis, last year's devilish, dark-toned Don Giovanni, Teatro Lirico has a powerful singer with an impressive stage presence. Sparks flew because Vasileva and Juozapaitis created such emotional tension: she more nuanced than the usual submissive heroine, he more sympathetic than the stock villain.
Vytautas JuozapaitisRelated topics
baritone don emotional flew heroine last lithuanian presence singer stage stock submissive tension usual villain sparksRelated quotes
American life is a powerful solvent. As it stamps the immigrant, almost before he can speak English, with an unmistakable muscular tension, cheery self-confidence and habitual challenge in the voice and eyes, so it seems to neutralize every intellectual element, however tough and alien it may be, and to fuse it in the native good-will, complacency, thoughtlessness, and optimism.
George Santayana
It's been a prevalent notion. Fallen sparks. Fragments of vessels broken at the Creation. And someday, somehow, before the end, a gathering back to home. A messenger from the Kingdom, arriving at the last moment. But I tell you there is no such message, no such home - only the millions of last moments... nothing more. Our history is an aggregate of last moments.
Thomas Pynchon
Some authors state that the last stage in this chain of measurements involves "consciousness," or the "intellectual inner life" of the observer, by virtue of the "principle of psycho-physical parallelism." Other authors introduce a wave function for the entire universe. In this book, I shall refrain from using concepts that I do not understand.
Asher Peres
When one read's Kierkegaard's profound analyses of anxiety and despair or Nietzsche's amazingly acute insights into the dynamics of resentment and the guilt and hostility which accompany repressed emotional powers, one might pinch oneself to realize that one is reading works written in the last century and not some new contemporary psychological analysis.
Rollo May
Whatever is felt upon the page without being specifically named there - that, one might say, is created. It is the inexplicable presence of the thing not named, of the overtone divined by the ear but not heard by it, the verbal mood, the emotional aura of the fact or the thing or the deed, that gives high quality to the novel or the drama, as well as to poetry itself.
Willa Cather
