It's difficult for me to know where to start with rugby. I come from a fanatically rugby-conscious Welsh miner's family, know so much about it, have read so much about it, have heard with delight so many massive lies and stupendous exaggerations about it and have contributed my own fair share, and five of my six brothers played it, one with some distinction... it's difficu1t for me to know where to start so I'll begin with the end. The last shall be first, as it is said, so I'll tell you about the last match I ever played in...I had played the game representatively from the age of ten until those who employed me in my profession, which is that of actor, insisted that I was a bad insurance risk against certain dread teams in dead-end valleys who would have little respect, no respect, or outright disrespect for what I was pleased to call my face. What if I were unfortunate enough to be on the deck in the middle of a loose maul...they murmured in dollar accents?
Richard BurtonRelated topics
actor age bad begin call certain deck delight disrespect distinction dollar dread end enough face fair family five game insurance last loose massive match maul middle profession read respect risk say share six start tell ten unfortunate welsh lies dead-end rugbyRelated quotes
The Renaissance discovery of nature was an invention of nineteenth-century liberalism which played off the Renaissance delight in nature against the Middle Ages, in order to strike a blow at the romantic philosophy of history. For when Burckhardt says that the ‘discovery of the world and of man'was an achievement of the Renaissance, this thesis is, at the same time, an attack on romantic reaction and an attempt to ward off the propaganda designed to spread the romantic view of medieval culture. The doctrine of the spontaneous naturalism of the Renaissance comes from the same source as the theory that the fight against the spirit of authority and hierarchy, the ideal of freedom of thought and freedom of conscience, the emancipation of the individual and the principle of democracy, are achievements of the fifteenth century. In all this the light of the modern age is contrasted with the darkness of the Middle Ages.
Arnold Hauser
Comparing them by their faculties of memory, reason, and imagination, it appears to me, that in memory they are equal to the whites; in reason much inferior.... The improvement of the blacks in body and mind, in the first instance of their mixture with the whites, has been observed by every one, and proves that their inferiority is not the effect merely of their condition of life. We know that among the Romans, about the Augustan age especially, the condition of their slaves was much more deplorable than that of the blacks on the continent of America...Yet notwithstanding these and other discouraging circumstances among the Romans, their slaves were often their rarest artists. They excelled too in science, insomuch as to be usually employed as tutors to their master's children. Epictetus, Terence, and Phaedrus, were slaves. But they were of the race of whites. It is not their condition then, but nature, which has produced the distinction.
Thomas Jefferson
We will not be picking up axes and breaking into people's homes. But we will not remain silent either. Moderation in the face of evil is not what our age needs. As Ronald Reagan declared, "The future doesn't belong to the fainthearted." We must uncap our pens; we must speak words of truth. We are facing a determined enemy who is striving through all means to destroy the West and snuff out our traditions of free thought, free speech, and freedom of religion. Make no mistake: if we fail, we will be enslaved. We must not let the violent fanatics dictate what we draw, what we say, and what we read. We must rebel against their suffocating rules and thuggish demands at every turn. You can help the fight just by reading this book, which explains the many ways in which Islam has marked for death not just me, but all of Western civilization. We must, in the words of Revolutionary War veteran General John Stark, "Live free or die."
Geert Wilders
Numbers were a mystery to me. I was so far behind. It was only in Nairobi, at age ten, that I figured out anything at all about the way time is calculated: minutes, hours, years. In Saudi Arabia the calendar had been Islamic, based on lunar months; Ethiopia maintained an ancient solar calendar. The year was written 1399 in Saudi Arabia, 1972 in Ethiopia, and 1980 in Kenya and everywhere else. In Ethiopia we even had a different clock: sunrise was called one o'clock and noon was called six. (Even within Kenya, people used two systems for telling time, the British and the Swahili.) The months, the days--everything was conceived differently. Only in Juja Road Primary school did I begin to figure out what people meant when they referred to precise dates and times. Grandma never learned to tell time at all. All her life, noon was when shadows were short, and your age was measured by rainy seasons. She got by perfectly well with her system.
Ayaan Hirsi Ali
We must grant the artist his subject, his idea, what the French call his donnée; our criticism is applied only to what he makes of it. Naturally I do not mean that we are bound to like it or find it interesting: in case we do not our course is perfectly simple - to let it alone. We may believe that of a certain idea even the most sincere novelist can make nothing at all, and the event may perfectly justify our belief; but the failure will have been a failure to execute, and it is in the execution that the fatal weakness is recorded. If we pretend to respect the artist at all we must allow him his freedom of choice, in the face, in particular cases, of innumerable presumptions that the choice will not fructify. Art derives a considerable part of its beneficial exercise from flying in the face of presumptions, and some of the most interesting experiments of which it is capable are hidden in the bosom of common things.
Henry James
