Hegel ... destroyed the illusion of the subject's being-in-itself and showed that the subject is itself an aspect of social objectivity. ... However, ... we must ask this question: is this objectivity which we have shown to be a necessary condition and which subsumes abstract subjectivity in fact the higher factor? Does it not rather remain precisely what Hegel reproached it with being in his youth, namely pure externality, the coercive collective? Does not the retreat to this supposedly higher authority signify the regression of the subject, which had earlier won its freedom only with the greatest efforts, with infinite pains?
Theodor AdornoRelated topics
abstract ask aspect authority collective condition early externality fact factor freedom illusion infinite necessary objectivity pains pure question regression remain retreat show signify social subject subjectivity won youth higher being-in-itself hegelRelated quotes
We have, indeed, in the part taken by many scientific men in this controversy of "Law versus Miracle," a good illustration of the tenacious vitality of superstitions. Ask one of our leading geologists or physiologists whether he believes in the Mosaic account of the creation, and he will take the question as next to an insult. Either he rejects the narrative entirely, or understands it in some vague non-natural sense. ...Whence ...this notion of "special creations"...Why, after rejecting all the rest of the story, he should strenuously defend this last remnant of it, as though he had received it on valid authority, he would be puzzled to say.
Herbert Spencer
This character out of my fantasy, whose author I became in the days of my partly literary, partly solitary or.. inward youth, has lived, apparently, since that faded time with a certain life - which his reticence, more than what he said, has persuaded a few readers to attribute to him.
Teste was conceived - in a room where Auguste Comte spent his early years - at a period when I was drunk on my own will and subject to strange excesses of consciousness of my self.
I was suffering from the acute ailment called precision. I tended toward the extreme of the reckless desire to understand, and I searched in myself for the critical points in my powers of attention.
Paul Valéry
What I liked was Thatcherism's Bolshevik aspect, which was to shake up the whole of Britain quite fundamentally, and if you read what I wrote in those years I think you might agree that in taking the view that I did then - that this was necessary and desirable - I never subscribed to the main delusion of the Thatcherites, which was that you could change everything and everything would remain the same. If what you wanted was a very anarchic, globalised, polyglot, mixed-up society in which most of the structures which had somehow been renewed from the Edwardian period to the Sixties were destroyed, then Thatcherism was what would do the job.
John N. Gray
Of the radical and iconoclastic ideals preached in the early years of the revolution, all were discarded except those which helped the state to exert absolute control over the individual. Hence the idea of collective education and reduction of parental authority to the minimum continued to hold sway, but an end was put to "progressive” educational methods designed to promote initiative and independence. Strict discipline became once more the rule, and in this respect Soviet schools differed from Tsarist ones only in the immensely increased emphasis on indoctrination. In due course, puritanical sexual ethics were restored to favour. (pg. 53)
Leszek Kołakowski
The representation of an object, in itself (the objectivity as the aim of the representation), is something that has nothing to do with art, although the use of representation in a work of art does not rule out the possibility of its being of a high artistic order. For the Suprematist, therefore, the proper means is the one that provides the fullest expression of pure feeling and ignores the habitually accepted object. The object in itself is meaningless to him; and the ideas of the conscious mind are worthless. Feeling is the decisive factor.... and thus art arrives at non-objective representation – at Suprematism.
Kazimir Malevich
