The mathematic, then, is an art. As such it has its styles and style periods. It is not, as the layman and the philosopher (who is in this matter a layman too) imagine, substantially unalterable, but subject like every art to unnoticed changes form epoch to epoch. The development of the great arts ought never to be treated without an (assuredly not unprofitable) side-glance at contemporary mathematics.
Oswald SpenglerRelated topics
art contemporary development epoch form great imagine layman mathematics matter ought philosopher style subject arts side-glanceRelated quotes
Freed from the sublimated form which was the very token of its irreconcilable dreams-a form which is the style, the language in which the story is told-sexuality turns into a vehicle for the bestsellers of oppression. ... This society turns everything it touches into a potential source of progress and of exploitation, of drudgery and satisfaction, of freedom and of oppression. Sexuality is no exception.
Herbert Marcuse
I must study politics and war that my sons may have liberty to study mathematics and philosophy. My sons ought to study mathematics and philosophy, geography, natural history, naval architecture, navigation, commerce, and agriculture, in order to give their children a right to study painting, poetry, music, architecture, statuary, tapestry, and porcelain.
John Adams
God's Providence controls the universe. It is present everywhere. Providence is the sovereign Logos of God, imprinting form on the unformed materiality of the world, making and fashioning all things. Matter could not have acquired an articulated structure were it not for the directing power of the Logos Who is the Image, Intellect, Wisdom, and Providence of God.
Anthony the Great
I have...read it with a good deal of amusement and enjoyment. The latter is due, I suppose, entirely to the subject – for everyone likes to imagine what a man could do if he were a dictator or Pope, or Caliph; the amusement is mainly at the author's expence. The style is one of the most preposterous I have ever read, and I doubt if I ever saw so much pedantry combined with so much ignorance.
Frederick Rolfe
The prerequisite of contrapuntal art, more conspicuous in the work of Bach than in that of any other composer, is an ability to conceive a priori of melodic identities which when transposed, inverted, made retrograde, or transformed rhythmically will yet exhibit, in conjunction with the original subject matter, some entirely new but completely harmonious profile.
Glenn Gould
