The Virginians are said to pride themselves upon the peculiar tenderness with which they visit the sceptre of authority on their African vassals. As all those acquainted with the character of the Virginia planters, whether American or foreigners, appear to concur in bearing testimony of their humanity, it is probable that they are entitled to the praise which they claim. But in their position, justice should be held superior to humanity; to break the chains would be more generous than to gild them; and whether we consider the interests of the master or the slave, decidedly more useful. To give liberty to a slave before he understands its value is, perhaps, rather to impose a penalty than to bestow a blessing; but it is not clear to me that the southern planters are duly exerting themselves to prepare the way for that change in the condition of their black populations which they profess to think not only desirable but inevitable.
Frances Wright
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Jazz, often called America's classical music, so influenced our culture that Americans named a decade after it. Like the country of its birth, jazz blends many traditions, such as African-American folk, rhythm and blues, French Creole classical form, and gospel. Through the creation and performance of music like jazz, black Americans were better able to exchange ideas freely across racial and cultural barriers. Before our Nation made significant strides in truly promoting equal justice and opportunity for all, black and white musicians in the genres of jazz, blues, and country played together in jam sessions, recording studios, and small bands. In many ways, their art preceded social change, allowing black and white musicians to meet as equals and to be judged on their musical ability, rather than the color of their skin. Their music also provided an outlet for African Americans to speak passionately and brilliantly to the rest of the Nation and the world.
George W. Bush
... Marx and Bakunin were engaged in a conflict in which it is hard to distinguish political from personal animosities. Marx did his best to persuade everybody that Bakunin was only using the International for his private ends, and in March 1870 he circulated a confidential letter to this effect. He also saw the hand of Bakunin (whom he never met after 1864) on every occasion when his own policies were opposed in the International. Bakunin, for his part, not only combated Marx's political programme but, as he often wrote, regarded Marx as a disloyal, revengeful man, obsessed with power and determined to impose his own despotic authority on the whole revolutionary movement. Marx, he said, had all the merits and defects of the Jewish character; he was highly intelligent and deeply read, but an inveterate doctrinaire and fantastically vain, an intriguer and morbidly envious of all who, like Lassalle, had cut a more important figure than himself in public life. (pp. 247-8)
Leszek Kołakowski
I had on Friday a long visit from Mr. --- alone; but my pictures do not come into his rules of whims of the art, and he said I had "lost my way." I told him that I had, perhaps other notions of art than picture admirers have in general. I looked on pictures as 'things to be avoided,' connoisseurs looked on them as things to be 'mitated'; and that, too, with such a defence and humbleness of submission, amounting to a total prostration of mind and original feeling, as must serve only to fill the world with abortions... But he was very agreeable, and endured the visit, I trust, without the usual courtesies of life being violated. What a sad thing it is that his lovely art is 'so wrested to its own destruction!' Used only to blind our eyes, and to prevent us from seeing the sub shine - the fields bloom - the tree blossom - and from hearing the foliage rustle; while old - black - rubbed out and dirty canvases take the place of God's own works.
John Constable
The BNP isn't about selling out its ideas, which are your ideas too, but we are determined to sell them. Basically, that means to use saleable words – such as freedom, identity, security, democracy. [...]
Once we're in a position where we control the British broadcasting media, then perhaps one day the British people might change their mind and say, 'yes, every last one must go'. But if you hold that out as your sole aim to start with, you're not going to get anywhere. So, instead of talking about racial purity, we talk about identity. [...]
There's a difference between selling out your ideas and selling your ideas, and the British National Party isn't about selling out its ideas, which are your ideas too, but we are determined now to sell them, and that means basically to use the saleable words, as I say, freedom, security, identity, democracy. Nobody can criticise them. Nobody can come at you and attack you on those ideas. They are saleable.
Nicholas John Griffin