The centerpiece of the cultural counterrevolution is the snowballing campaign for a "drug-free workplace" - a euphemism for "drug-free workforce," since urine testing also picks up for off-duty indulgence. The purpose of this '80s version of the loyalty oath is less to deter drug use than to make people undergo a humiliating ritual of subordination: "When I say pee, you pee." The idea is to reinforce the principle that one must forfeit one's dignity and privacy to earn a living, and bring back the good old days when employers had the unquestioned right to demand that their workers' appearance and behavior, on or off the job, meet management's standards.
Ellen WillisRelated topics
appearance behavior campaign centerpiece demand dignity drug earn euphemism forfeit good idea indulgence job less living loyalty meet oath off pee people principle privacy purpose reinforce right ritual say subordination testing urine use version workplace days workforce 80s counterrevolutionRelated quotes
I used old comic clothes stuff in the early days. I had the big shoes, I had the tight clothes, in fact I played several different characters. I played one called Willie Work; he used to have wide shoulders, a little cat mustache, a high hat. Another one was called Lonesome Luke, and his clothes were tight with a little funny hat; he had a funny little mustache. But when I adopted the glasses, it more or less put me in a different category because I became a human being. He was a kid that you would meet next door, across the street, but at the same time I could still do all the crazy things that we did before, but you believed them. They were natural and the romance could be believable.
Harold Lloyd
I am extremely pleased by Daniel Fincke's article, which says exactly what I SHOULD have said and, to my regret, didn't make sufficiently clear in my Reason Rally speech. The best way to summarise it would be to modify the quotation from Johann Hari. Johann said, "I respect you too much to respect your ridiculous beliefs". From now on, my version will be, "I respect you too much to accept that you really believe anything so ridiculous as you claim. Please either defend those beliefs and explain why they are not ridiculous, or else declare that you do not hold them and publicly disown the church to which you claim loyalty."
Richard Dawkins
Art is simultaneously particular and general. This is a real dichotomy. The great thing about proportion, one aspect of art, is that it is both extremes at once. The level of quality of a work can usually be established by the extent of the polarity between its generality and particularity. Or, to state the idea a little too simply, the better the work, the more diverse its aspects. The nature of the general aspects and the particular ones changes from artist to artist and especially from time to time, since the changes are due to broad changes in philosophy. This change is the essential change in art, determining its purpose and appearance.
Donald Judd
In the final analysis the weakness of Black Power is its failure to see that the black man needs the white man and the white man needs the black man. However much we may try to romanticize the slogan, there is no separate black path to power and fulfillment that dies not intersect white paths, and there is no separate white path to power and fulfillment, short of social disaster, that does not share that power with black aspirations for freedom and human dignity. We are bound together in a single garment of destiny. The language, the cultural patterns, the music, the material prosperity, and even the food of America are an amalgam of black and white.
Martin Luther King Jr.
Since World War Two, Britain's elite has suffered from a collective collapse of cultural nerve. Many things contributed: postwar exhaustion, the collapse of the British Empire (and therefore of national purpose), and post-colonial flagellatory guilt of the kind that white western liberals have made their specialty. This left the British establishment vulnerable to the revolutionary ideology of the New Left, at the core of which lay a hatred of western society. As a consequence, the British elite decided not only that the British nation was an embarrassment but also that the very idea of the nation was an anachronism.
Melanie Phillips
