![Great as was my wonderment [visiting the 8th Impressionist Exhibition, May/June 1886, at 1, rue Laffitte in Paris] it was tenfold increased on discovering that only six of these pictures were painted by the new man, Seurat, whose name was unknown to me; the other five were painted by my old friend Pissarro.. .The pictures were hung low, so I went down on my knees and examined the dotting in the pictures signed Seurat, and the dotting in those that were signed, Pissarro. After a strict examination I was able to detect some differences, and I began to recognize the well-known touch even through this most wild and most wonderful transformation. Yes, owing to a long and intimate acquaintance with Pissarro and his work, I could distinguish between him and Seurat, but to the ordinary visitor their pictures were identical. (Georges Seurat)](https://cdn.quotesdtb.com/img/quotes_images_webp/25/georges-seurat-able-acquaintance-1014725.webp)
Great as was my wonderment [visiting the 8th Impressionist Exhibition, May/June 1886, at 1, rue Laffitte in Paris] it was tenfold increased on discovering that only six of these pictures were painted by the new man, Seurat, whose name was unknown to me; the other five were painted by my old friend Pissarro.. .The pictures were hung low, so I went down on my knees and examined the dotting in the pictures signed Seurat, and the dotting in those that were signed, Pissarro. After a strict examination I was able to detect some differences, and I began to recognize the well-known touch even through this most wild and most wonderful transformation. Yes, owing to a long and intimate acquaintance with Pissarro and his work, I could distinguish between him and Seurat, but to the ordinary visitor their pictures were identical.
Georges SeuratRelated topics
able acquaintance begin discovering dotting examination exhibition five friend went great hang identical impressionist intimate june low man name ordinary paris rue six touch transformation unknown visiting visitor wild wonderment work yes pictures seuratRelated quotes
Speaking of that last contract signing reminds me of a good laugh I had at the expense of the newspaper boys. There were a couple of dozen of them sticking around when I signed, some of them fellows who had been traveling with the Yankees for several seasons; fellows whom I know intimately and well. Yet in their stories, every one of them wrote about me signing that contract with my left hand and some of the newspapers even ran pictures showing me signing left-handed! How they managed it I don't know-for as a matter of fact I write with my right hand now, and I always have. I'm left-handed in everything else I do, but when it comes to writing I'm as right-handed as any right-hander you ever saw. It just goes to show that people take a lot of things for granted. They don't observe things closely, particularly things about which they feel confident.
Babe Ruth
Yesterday I saw Mr. Thackeray. He dined here with some other gentlemen. He is a very tall man - above six feet high, with a peculiar face - not handsome, very ugly indeed, generally somewhat stern and satirical in expression, but capable also of a kind look. He was not told who I was, he was not introduced to me, but I soon saw him looking at me through his spectacles; and when we all rose to go down to dinner he just stepped quietly up and said "Shake hands”; so I shook hands. He spoke very few words to me, but when he went away he shook hands again in a very kind way. It is better, I should think, to have him for a friend than an enemy, for he is a most formidable-looking personage. I listened to him as he conversed with the other gentlemen. All he says is most simple, but often cynical, harsh, and contradictory.
Charlotte Brontë
As we walked homeward across the fields, the sun dropped and lay like a great golden globe in the low west. While it hung there, the moon rose in the east, as big as a cart-wheel, pale silver and streaked with rose colour, thin as a bubble or a ghost-moon. For five, perhaps ten minutes, the two luminaries confronted each other across the level land, resting on opposite edges of the world.
In that singular light every little tree and shock of wheat, every sunflower stalk and clump of snow-on-the-mountain, drew itself up high and pointed; the very clods and furrows in the fields seemed to stand up sharply. I felt the old pull of the earth, the solemn magic that comes out of those fields at nightfall. I wished I could be a little boy again, and that my way could end there.
Willa Cather
As everybody who met him noted, Krajisnik had only one long and extraordinarily brushy eyebrow, which spanned his forehead, creating what looked like a permanent dark cloud over his deep-set eyes. Although Krajisnik had not been indicted by the War Crimes Tribunal - and could therefore participate in Dayton - it was hard to distinguish his views from those of his close friend Radovan Karadzic. Milosevic had often said that Krajisnik was "more difficult" than Karadzic, but we had little basis on which to make an indipendent judgment. (...) He and Izetbegovic knew each other well, from lengthy meetings in the Bosnian Assembly before the war. Krajisnik owned a five-hectare farm on the edge of Sarajevo, in an area that would probably revet to the Muslims in any settlement, and we often made bitter jokes that the war was really over "Krajisnik's five hectares."
Richard Holbrooke
There was one artist who wrote as beautifully as he painted. That was Hokusai - He speaks for all artists, whether they are painters or not. [He wrote]: "I have been in love with painting ever since I became conscious of it at the age of six. I drew some pictures I thought fairly good when I was fifty, but really nothing I did before the age of seventy was of any value at all. At seventy three I have at last caught every aspect of nature-birds, fish, animals, insects, trees, grasses, all. When I am eighty I shall have developed still further. And I will really master the secrets of art at ninety. When I reach a hundred my work will be truly sublime, and my final goal will be attained around the age of one hundred and ten, when every line and dot I draw will be imbued with life."
Henry Miller
