You start to know, on stage, when to get off. There's just this feeling that you develop from years and years of doing it; you just feel that "We're getting-- Everyone's really having a good time... and I think, in another few minutes, this is going to start to get old... 'Good night, everybody!'" And everyone's happy! [...] It's just... proportions. Y'know? I guess it's a function of art and economy: that economy is essential to all good art. And I thought "Let's-- " Even though we had done a lot [of Seinfeld]: nine years, 180 episodes, I thought "We can't do one too many, or it's gonna taint the whole thing." (Jerry Seinfeld)

You start to know, on stage, when to get off. There's just this feeling that you develop from years and years of doing it; you just feel that "We're getting-- Everyone's really having a good time... and I think, in another few minutes, this is going to start to get old... 'Good night, everybody!'" And everyone's happy! [...] It's just... proportions. Y'know? I guess it's a function of art and economy: that economy is essential to all good art. And I thought "Let's-- " Even though we had done a lot [of Seinfeld]: nine years, 180 episodes, I thought "We can't do one too many, or it's gonna taint the whole thing."

Jerry Seinfeld

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