Chopin's exquisite ear saved him from the ugly repetition of thick chords in the bass that frequently disfigure the work of Mendelssohn, Weber, and Hummel-and even of Field. (Charles Rosen)

Chopin's exquisite ear saved him from the ugly repetition of thick chords in the bass that frequently disfigure the work of Mendelssohn, Weber, and Hummel-and even of Field.

Charles Rosen

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bass disfigure ear exquisite field repetition thick ugly weber work mendelssohn

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