The picture of Jan Six, painted in 1654 is, then, a virtual encyclopedia of painting, from the loosest handling to the dry brush, sparely loaded with yellow, dragged over the surface at the edge of Six's right cuff; from the finest detail to the most impressionist daring. Yet Rembrandt manages to bring all this diversity of technique into a totally resolved single image. So that Jan Six does indeed stand before us much as we would dearly wish to imagine ourselves, all the contradictions of our character-vanity and modesty, outward show and inward reflectiveness, energy and calm-miraculously fitted together.
RembrandtRelated topics
brush cuff daring detail diversity drag dry edge encyclopedia energy fit handling image imagine impressionist inward jan modesty outward painting picture right show single six stand surface technique virtual wish yellow yet finest reflectiveness rembrandtRelated quotes
This painting, this work you miss so much [the two sisters Morisot painted a lot together] is a cause of much trouble and concern, you know this as well as I do and yet, child that you are, you are already weeping for the loss of the very thing that darkened you mood only recently. Think of it, yours is not the very worst lot: you have a real affection, a devoted heart that is yours an yours alone, do not be ungrateful for the dealings of fate, think of the great sorrow that is solitude; whatever anyone says or does, womankind has immense need of affection; to want to retreat into yourself is to attempt the impossible.
Berthe Morisot
But I've noticed something with other artists who do use the whole range of forms of colours and black - in Albers, for instance, who experiments with yellow, red, blue, the whole scale. Of course I love his colour paintings, but when I see a black-and-white such as 'The Homage to a Black and White Square' [ Josef Albers painted more versions], I like that best, you know. I think it has something to do with deciding just exactly what you really like best. There is always that wonderful element of doubt. I like the black painters really, even if they did work in color.... Velasquez.... also Tintoretto, and Rembrandt... Goya..
Franz Kline
Heisenberg finds that facts of observation lead uniquely and inevitably to the theoretical structure known as matrix mechanics. This shows that the total radiation in any region of empty space can change only by a single complete quantum at a time. Thus not only in the photo-electric phenomenon, but in all other transfers of energy through space, energy is always transferred by complete quanta; fractions of a quantum can never occur. This brings atomicity into our picture of radiation just as definitely as the discovery of the electron and its standard charge brought atomicity into our picture of matter and of electricity.
James Jeans
It is not unreasonable nor derogatory to the attributes of Omnipotence, to imagine that some general laws may be observed in the creation of new worlds; and if man could witness the birth of such worlds, he might reason by induction upon the origin of his own. But in the absence of such data, an attempt has been made to fancy some analogy between the agents now employed to destroy, renovate, and perpetually vary the earth's surface, and those whereby the first chaotic mass was formed, and brought by supposed nascent energy from the embryo to the habitable state.
Charles Lyell
I met Sophie Taeuber in Zurich in 1915. Even then she already knew how to give direct and palpable shape to her inner reality. In those days this kind of art was called 'abstract art'. Now it is known as 'concrete art,' for nothing is more concrete than the psychic reality it expresses. Like music this art is tangible inner reality she was already dividing the surface of a watercolor into squares and rectangles which she juxtaposed horizontally and perpendicularly. She constructed her painting like a work of masonry. The colors are luminous, going from rawest yellow to deep red or.... blue.
Jean Arp
