That is taught by Caitanya Mahāprabhu, that "Whatever You do . . . "Either You trample Me under Your feet or You embrace Me . . . whatever You like. You make Me brokenhearted by not seeing You-that doesn't matter. Still You are My worshipable Lord." That is love. "From God's side, He may do whatever He likes. I don't want anything in exchange." That is love. That sort of love Kṛṣṇa wants. Therefore He was so much fond of the gopīs. In the gopīs' love there was no question of business propaganda-"Give me this, then I love You." (chuckles) No. That is pure love. That is unalloyed love. Ahaituky apratihatā. Apratihatā means without being checked. No impediment. If you want to love God, there is nothing throughout the whole world which can check you. Simply you have to develop your eagerness: "Kṛṣṇa, I want You." That's all. Then there is no question of checking. In any condition, you'll increase your love, increase your love.
A. C. Bhaktivedanta Swami PrabhupadaRelated topics
anything business check checking condition eagerness embrace exchange feet fond impediment increase lord love matter nothing propaganda pure question seeing side sort teach trample under whatever world meansRelated quotes
Little effort was made to explain Saddam's culpability, his misuse of Iraqi resources, or the fact that we were not embargoing medicine or food. I was exasperated that our TV was showing what amounted to Iraqi propaganda...I must have been crazy; I should have answered the question by reframing it and pointing out the inherent flaws in the premise behind it. Saddam Hussein could have prevented any child from suffering simply by meeting his obligations. Instead, I said the following: 'I think this is a very hard choice, but the price, we think, the price is worth it.' As soon as I had spoken, I wished for the power to freeze time and take back those words. My reply had been a terrible mistake, hasty, clumsy, and wrong. Nothing matters more than the lives of innocent people. I had fallen into a trap and said something that I simply did not mean. That is no one's fault but my own.
Madeleine Albright
We Europeans have to toil to achieve it, at least as a transitional stage, for it is what we feed our dreams upon. These Orientals [from India] have it in their blood, perhaps because they spend their lives I the sun. We poor wretched Europeans must sacrifice body and soul for even a shadow of it.. .It is not a question of trying to reproduce objective features, only of good practice for the fingers and for the perceptive faculty, and that too is very useful. You must have read how Van Gogh was always getting his brother to send him drawings to copy. And how Rembrandt used to copy Indian an Italian pictures. Not of course, because they were short of material, but to get 'du corps'. So one should be always drawing.. .Oh, you'd love the Indians. The pure, Aryan Indians, not those one could see in Berlin, whose forms had become rigid and sterile through mingling with the Chinese.
Ernst Ludwig Kirchner
We should take counsel of both nature and art in the consideration of this question. When the architect intends a grand structure, he makes the foundation broad and strong. We should imitate this prudence in laying the foundations of the future Republic. There is a law of harmony in all departments of nature. The oak is in the acorn. The career and destiny of individual men are enfolded in the elements of which they are composed. The same is true of a nation. It will be something or it will be nothing. It will be great, or it will be small, according to its own essential qualities. As these are rich and varied, or pure and simple, slender and feeble, broad and strong, so will be the life and destiny of the nation itself. The stream cannot rise higher than its source. The ship cannot sail faster than the wind. The flight of the arrow depends upon the strength and elasticity of the bow, and as with these, so with a nation.
Frederick Douglass
It was not the inexperienced art public that became American Scenists. It was the artists themselves, a highly sophisticated group, thoroughly familiar with the art work and the art traditions of the world, who had flocked to Paris to participate in the great cultural center, who were very conscious of the Impressionists and Post-Impressionists revolutions, who fell for this propaganda [to strive for a pure national American art]. It is upon them that responsibility falls. Their support of this reactionary philistinism is an inexcusable betrayal.. .It is time for the artists to wake up and re-examine their aesthetic foundations; to rid themselves of the millstone that has made art in America an expensive picture postcard-factory.. .It is time that artists refused isolationist money, repudiated the art dealers, the favor of the museum directors. It is time artists forgot about success..
Barnett Newman
As the great words of freedom and fulfillment are pronounced by campaigning leaders and politicians, on the screens and radios and stages, they turn into meaningless sounds which obtain meaning only in the context of propaganda, business, discipline, and relaxation. This assimilation of the ideal with reality testifies to the extent to which the ideal has been surpassed. It is brought down from the sublimated realm of the soul or the spirit or the inner man, and translated into operational terms and problems. Here are the progressive elements of mass culture. The perversion is indicative of the fact that advanced industrial society is confronted with the possibility of a materialization of ideals. The capabilities of this society are progressively reducing the sublimated realm in which the condition of man was represented, idealized, and indicted. Higher culture becomes part of the material culture. In this transformation, it loses the greater part of its truth.
Herbert Marcuse
