I don't like making didactic, pedagogical documentaries based on standard formulas of narration: I'm only interested in the ambitious French tradition of the documentaire de création where the film, if successful, is not about something but that something itself. The goal is to incorporate areas of risk and paradox that we associate with cinematic art.
Damian Pettigrew
Related topics
art
cinematic
didactic
film
french
making
narration
paradox
risk
something
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