In the past fifteen years, Marxist approaches towards literature have enjoyed increasing vogue. To be conscious of the social context of art seems to automatically entail a leftist orientation. But a theory is possible that is both avant-garde and capitalist. Marxism was one of Rousseau's nineteenth-century progeny, energized by faith in the perfectabilty of man. Its belief that economic forces are the primary dynamic force in history is Romantic naturism in disguise. ... Marxism is the bleakest of anxiety-formations against the power of cthonian mothers. (Camille Paglia)

In the past fifteen years, Marxist approaches towards literature have enjoyed increasing vogue. To be conscious of the social context of art seems to automatically entail a leftist orientation. But a theory is possible that is both avant-garde and capitalist. Marxism was one of Rousseau's nineteenth-century progeny, energized by faith in the perfectabilty of man. Its belief that economic forces are the primary dynamic force in history is Romantic naturism in disguise. ... Marxism is the bleakest of anxiety-formations against the power of cthonian mothers.

Camille Paglia

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art belief capitalist conscious context disguise dynamic entail faith fifteen force history increasing literature man naturism orientation past possible power primary progeny romantic social theory vogue marxist years avant-garde leftist marxism approaches forces

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