To say it once again: today I find it an impossible book - badly written, clumsy and embarrassing, its images frenzied and confused, sentimental, in some places saccharine-sweet to the point of effeminacy, uneven in pace, lacking in any desire for logical purity, so sure of its convictions that it is above any need for proof, and even suspicious of the propriety of proof, a book for initiates, 'music' for those who have been baptized in the name of music and who are related from the first by their common and rare experiences of art, a shibboleth for first cousins in artibus [in the arts] an arrogant and fanatical book that wished from the start to exclude the profanum vulgus [the profane mass] of the 'educated' even more than the 'people'; but a book which, as its impact has shown and continues to show, has a strange knack of seeking out its fellow-revellers and enticing them on to new secret paths and dancing-places. (Friedrich Nietzsche)

To say it once again: today I find it an impossible book - badly written, clumsy and embarrassing, its images frenzied and confused, sentimental, in some places saccharine-sweet to the point of effeminacy, uneven in pace, lacking in any desire for logical purity, so sure of its convictions that it is above any need for proof, and even suspicious of the propriety of proof, a book for initiates, 'music' for those who have been baptized in the name of music and who are related from the first by their common and rare experiences of art, a shibboleth for first cousins in artibus [in the arts] an arrogant and fanatical book that wished from the start to exclude the profanum vulgus [the profane mass] of the 'educated' even more than the 'people'; but a book which, as its impact has shown and continues to show, has a strange knack of seeking out its fellow-revellers and enticing them on to new secret paths and dancing-places.

Friedrich Nietzsche

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