But already in his early works, as in the still-life of 1893.. ..there is a tendency towards the static and well-balanced arrangement. He has a preference for painting in atmospheric conditions which tend to efface the individual forms and emphasize the general outline: Mondrian: 'I often sketched by moonlight - cows resting or standing immovable in flat Dutch meadows, or houses with dead, blank windows. I never painted these things romantically'.