![[The Analytical Engine] might act upon other things besides number, were objects found whose mutual fundamental relations could be expressed by those of the abstract science of operations, and which should be also susceptible of adaptations to the action of the operating notation and mechanism of the engine...Supposing, for instance, that the fundamental relations of pitched sounds in the science of harmony and of musical composition were susceptible of such expression and adaptations, the engine might compose elaborate and scientific pieces of music of any degree of complexity or extent. (Ada Lovelace)](https://cdn.quotesdtb.com/img/quotes_images_webp/32/ada-lovelace-abstract-act-427432.webp)
[The Analytical Engine] might act upon other things besides number, were objects found whose mutual fundamental relations could be expressed by those of the abstract science of operations, and which should be also susceptible of adaptations to the action of the operating notation and mechanism of the engine...Supposing, for instance, that the fundamental relations of pitched sounds in the science of harmony and of musical composition were susceptible of such expression and adaptations, the engine might compose elaborate and scientific pieces of music of any degree of complexity or extent.
Ada LovelaceRelated topics
abstract act action complexity composition degree engine expression extent found fundamental harmony instance might mechanism music musical mutual notation number science should supposing susceptible relations things operationsRelated quotes
Many fields use patterns in various ways: In music and literature, a pattern is the coherent structure or design of a song or book. In art, a pattern is the composition or plan of a work of graphic or plastic art. In architecture, a pattern is an architectural design or style. In psychology, a pattern is a thinking mechanism that is basic to the brain's operation, helping one to perceive things quickly. In archeology, a pattern is a group of phases having several distinguishing and fundamental features in common. In linguistics, a pattern is the manner in which smaller units of language are grouped into larger units...
Peter Coad
As is known, scientific physics dates its existence from the discovery of the differential calculus. Only when it was learned how to follow continuously the course of natural events, attempts, to construct by means of abstract conceptions the connection between phenomena, met with success. To do this two things are necessary: First, simple fundamental concepts with which to construct; second, some method by which to deduce, from the simple fundamental laws of the construction which relate to instants of time and points in space, laws for finite intervals and distances, which alone are accessible to observation.
Bernhard Riemann
There are some mixt bodies, from which it has not been yet made appear, that any degree of fire can separate either salt, or sulphur, or mercury, much less all the three. The most obvious instance of this truth is gold, which is a body so fixed, and wherein the elementary ingredients (if it have any) are so firmly united to each other, that we find not in the operations, wherein gold is exposed to the fire, how violent soever, that it does discernably so much as lose of its fixedness or weight, so far is it from being dissipated into those principles, whereof one at least is acknowledged to be fugitive enough.
Robert Boyle
Perhaps the profoundest cause of disagreement with the Narodniks is the difference in our fundamental views on social and economic processes. When studying the latter, the Narodnik usually draws conclusions that point to some moral; he does not regard the diverse groups of persons taking part in production as creators of various forms of life; he does not set out to present the sum-total of social and economic relationships as the result of the mutual relations between these groups, which have different interests and different historical roles.
Vladimir Lenin
Appolinaire [spokesman of French Cubism ] told me about a book of his on the Cubists that's about to come out. He divides the Cubists into Physical Cubists, (Gleize) [sic], who add some dramatic elements to their expression of external realities; Scientific Cubists (Picasso, Metzinger) and 'Orphiques' [sic]. (I give you [ Umberto Boccioni ] this last classification in French because I don't know how to translate it); in Appolinaire's opinion the 'Orphiques' [sic] seek new elements of expressing abstract realities; and we Futurists belong with the latter.
Gino Severini
