By asserting the objectivity of the physical world, naturalism identifies the existence and the conditions of existence of the physical world with existence and the conditions of existence in general. It forgets that the world of the physicist necessarily refers back, through its intrinsic meaning, through the subjective world which one tries to exclude from reality as being pure appearance, conditioned by the empirical nature of man, which is incapable of reaching directly to a world of things in themselves. But while the world of the physicist claims to go beyond naive experience, his world really exists only in relation to naive experience.
Emmanuel LevinasRelated topics
appearance asserting beyond existence experience general incapable intrinsic man meaning naive naturalism nature objectivity physical physicist pure reaching reality relation while world conditions thingsRelated quotes
A physical system is just that: a physical system. What is systematized is matter itself, and the processes in which the system is realized are also material. But a biological system is more complex: it is both biological and physical - it is matter with the added component of life; and a social system is more complex still: it is physical, and biological, with the added component of social order, or value. ... A semiotic system is still one step further in complexity: it is physical, and biological, and social -and also semiotic: what is being systematized is meaning. In evolutionary terms, it is a system of the fourth order of complexity.
Michael Halliday
It is almost irresistible for humans to believe that we have some special relation to the universe, that human life is not just a more-or-less farcical outcome of a chain of accidents reaching back to the first three minutes, but that we were somehow built in from the beginning. ... It is very hard to realise that this is all just a tiny part of an overwhelmingly hostile universe. It is even harder to realise that this present universe has evolved from an unspeakably unfamiliar early condition, and faces a future extinction of endless cold or intolerable heat. The more the universe seems comprehensible, the more it also seems pointless.
Steven Weinberg
Even while I protest the assembly-line production of our food, our songs, our language, and eventually our souls, I know that it was a rare home that baked good bread in the old days. Mother's cooking was with rare exceptions poor, that good unpasteurized milk touched only by flies and bits of manure crawled with bacteria, the healthy old-time life was riddled with aches, sudden death from unknown causes, and that sweet local speech I mourn was the child of illiteracy and ignorance. It is the nature of a man as he grows older, a small bridge in time, to protest against change, particularly change for the better.
John Steinbeck
I have presented the periodic table as a kind of travel guide to an imaginary country, of which the elements are the various regions. This kingdom has a geography: the elements lie in particular juxtaposition to one another, and they are used to produce goods, much as a prairie produces wheat and a lake produces fish. It also has a history. Indeed, it has three kinds of history: the elements were discovered much as the lands of the world were discovered; the kingdom was mapped, just as the world was mapped, and the relative positions of the elements came to take on a great significance; and the elements have their own cosmic history, which can be traced back to the stars.
Peter Atkins
The relative meaning of two physical facts in an emotionally controlled relation always creates the phenomenon of a third fact of a higher order, just as two musical sounds, heard simultaneously create the phenomenon of a third, fourth or fifth. The nature of this higher third is non-physical. In a sense it is magic. Each such phenomenon always overshadows the material qualities and the limited meaning of the basic factors from which it has sprung. For this reason Art expresses the highest quality of the spirit when it is surreal in nature; or, in terms of the visual arts, when it is of a surreal plastic nature.
Hans Hofmann
