![The hero [of a narrative] must be male, regardless of the gender of the text-image, because the obstacle, whatever its personification, is morphologically female....The hero, the mythical subject, is constructed as human being and as male; he is the active principle of culture, the establisher of distinction, the creator of differences. Female is what is not susceptible to transformation, to life or death; she (it) is an element of plot-space, a topos, a resistance, matrix and matter." (Teresa de Lauretis)](https://cdn.quotesdtb.com/img/quotes_images_webp/46/teresa-de-lauretis-active-867046.webp)
The hero [of a narrative] must be male, regardless of the gender of the text-image, because the obstacle, whatever its personification, is morphologically female....The hero, the mythical subject, is constructed as human being and as male; he is the active principle of culture, the establisher of distinction, the creator of differences. Female is what is not susceptible to transformation, to life or death; she (it) is an element of plot-space, a topos, a resistance, matrix and matter."
Teresa de LauretisRelated topics
active culture death distinction element establisher female gender hero human life male matrix matter narrative obstacle personification principle resistance subject susceptible transformation whatever creator toposRelated quotes
In classroom settings I have often listened to groups of students tell me that, a black female, or a black male, which identity would they choose. Each time I do this exercise, most individuals, irrespective of gender or race invariably choose whiteness, and most often male whiteness. Black females are the least chosen. When I ask students to explain their choice they proceed to do a sophisticated analysis of privilege based on race (with perspectives that take gender and class into consideration).
Bell hooks
As I looked more carefully at the listening matrix I saw that during the past twenty years we had taken a magnifying glass to the first of these four quadrants, the female experience of powerlessness. I saw I was subconsciously making a false assumption: The more deeply I understood women's experience of powerlessness, the more I assumed men had the power women did not have. In fact, what I was understanding was the female experience of male power.
Warren Farrell
Cross-cultural studies presuppose a systems approach, by which I mean that any element of the total system called ``culture'' should be eligible for analysis, regardless of the discipline that usually deals with such elements. At the level of (national) cultures, these are phenomena on all levels: individuals, groups, organizations, or society as a whole may be relevant. There is no excuse for overlooking any vital factor because it is usually treated in someone else's department at the university.
Geert Hofstede
Being female in this world is having been robbed of he potential for human choice by men who love to hate s. One does not make choices in freedom. Instead, one conforms in body type and behavior and values to become an object of male sexual desire, which requires an abandonment of a wide-ranging capacity for choice Objectification may well be the most singly destructive aspect of gender hierarchy, specially as it exists in relation to intercourse.
Andrea Dworkin
To the "masculists" of both sexes, "femininity" implies all that men have built into the female image in the past few centuries: weakness, imbecility, dependence, masochism, unreliability, and a certain "babydoll" sexuality that is actually only a projection of male dreams. To the "feminist" of both sexes, femininity is synonymous with the eternal female principle, connoting strength, integrity, wisdom, justice, dependability, and a psychic power foreign and therefore dangerous to the plodding masculists of both sexes.
Elizabeth Gould Davis
