He was the nicest, and the only talented person I saw in all Berlin, except perhaps old Fuerstenberg ... and Kurt Singer. And he was a Jew; and so was Fuerstenberg. And my dear Melchior is a Jew too. Yet if I lived there, I felt I might turn anti-Semite. For the poor Prussian is too slow and heavy on his legs for the other kind of Jews, the ones who are not imps but serving devils, with small horns, pitch forks, and oily tails. It is not agreeable to see civilization so under the ugly thumbs of its impure Jews who have all the money and the power and brains. I vote rather for the plump hausfraus and thick fingered Wandering Birds. But I am not sure that I wouldn't even rather be mixed up with Lloyd George than with the German political Jews.
John Maynard KeynesRelated topics
agreeable berlin civilization dear felt george german heavy jew kind might money oily ones perhaps person pitch plump political poor power prussian saw see serving singer slow small sure thick turn ugly under vote wandering yet anti-semite melchior legs lloyd brains tailsRelated quotes
[Lloyd George] saw [Eamon de Valera] again on Friday [15 July]... He (DeV.) insisted that what the people of Ireland wanted was a republic, & asked [Lloyd George] if the name of republic could not be conceded at any rate. [Lloyd George] replied that that was just what they cold not have-that the people of this country would not tolerate it after all that had happened. 'There must be some other word', said [Lloyd George]. 'After all, it is not an Irish word. What is the word for republic in Irish?' 'Poblacht', was DeV.'s reply. 'That merely means "people",' said [Lloyd George]. 'Isn't there another word?' 'Saorstaat', said DeV. 'Very well', said [Lloyd George]. 'Why do you insist upon Republic? Saorstaat is good enough!'
David Lloyd George
One room after another in the British museum took my enthusiasm. The Royal College of Art meant nothing in comparison. Every Wednesday, Saturday, and Sunday I would go to the British Museum. But not till after three months did things begin to settle into any pattern of reality for me. Till then everything was wonderful – a new world at every turn. That is the value of the British Museum: you have everything behind you; you are free to try to find out your own way and, after a while, to find what appeals to you most. And after the first excitement it was the art of ancient Mexico that spoke to me most – except perhaps Romanesque, or early Norman. And I admit clearly and frankly that early Mexican art formed my views of carving as much as everything I could do.
Henry Moore
In opposition to the aristocratic valuation (good = noble, beautiful, happy, favoured by the gods) the slave morality then is this: The wretched alone are the good; those who suffer and are heavy laden, the sick and the ugly, they are the only pious ones. On the other hand, you, ye noble and rich, are to all eternity the evil, the cruel, the insatiate, the ungodly, and after death the damned. Whereas noble morality was the manifestation of great self-esteem, a continual yea-saying, slave morality is a continual Nay, a Thou shall not, a negation. To the noble valuation good bad (bad = worthless) corresponds the antithesis of slave morality, good evil. And who are the evil in this morality of the oppressed? Precisely the same who in the other morality were the good.
Georg Brandes
Well, it's the only picture I ever wanted to own ['Three Bathers' of Cézanne ]. It's a Cézanne and the joy of my life. I saw it about a year ago in an exhibition and I was stunned by it. I didn't sleep for two or three nights trying to decide whether to.. .To me it is marvelous. Monumental.. .It's not perfect, it's a sketch. But then I don't like absolute perfection. I believe one should make a struggle towards something one can't do rather than do the thing that comes easily. Perhaps another reason is why I fell for it is that the type of woman he portrays is the same kind as I like. Each of the figures I could turn in into a piece of sculpture, very simple. Not young girls but that wide, broad, mature woman. Matronly.
Henry Moore
Now I'm sitting quietly at home again and I'm happy to be able to work undisturbed. I made a lot of sketches of life in Germany and it was very intriguing to see life there [in Berlin, a stay for three weeks]. I was also glad to see the old pictures of Rembrandt, Dürer, etc. again and to have the confirmation and encouragement they gave me. As for the moderns, I saw damned little that gripped me... Modern German painting has moved so far away from me and become unintelligible in areas in which my work had, and still has, an influence; but people like Klee, Kandinsky, etc. have moved much closer to me again, in fact I value the Bauhaus more and more. These people are working and developing. You can see that there is development. And they love their work, which is the main thing.
Ernst Ludwig Kirchner
