He embodies a peculiarly American archetype -- the Good Bad Boy -- who perseveres, with charm, despite life's vicissitudes and his own defects. Driven by dreams of a better future, he refers frequently to the past and his fallen brothers -- often to good political effect, but without seeming manipulative, perhaps because so much of his personal memory is our public memory. "Don't you think," says former Kennedy press secretary Bob Shrum, "that the country has a very complicated set of feelings about him and his family?" 'He has all the makings of a tragic figure, yet refuses to play the part. Instead he insists on center stage, voice ever louder, gestures ever grander, resolutely imperfect, a flawed and final prince. (Ted Kennedy)

He embodies a peculiarly American archetype -- the Good Bad Boy -- who perseveres, with charm, despite life's vicissitudes and his own defects. Driven by dreams of a better future, he refers frequently to the past and his fallen brothers -- often to good political effect, but without seeming manipulative, perhaps because so much of his personal memory is our public memory. "Don't you think," says former Kennedy press secretary Bob Shrum, "that the country has a very complicated set of feelings about him and his family?" 'He has all the makings of a tragic figure, yet refuses to play the part. Instead he insists on center stage, voice ever louder, gestures ever grander, resolutely imperfect, a flawed and final prince.

Ted Kennedy

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archetype bad boy country drive fallen family final future good imperfect manipulative memory past perhaps play prince public secretary set think voice yet kennedy

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