It was this apparent paradox, by which the so-called Abstract Expressionists.. ..are really far more sympathetic to wards Mondrian than towards Kandinsky. The Mondrian thing seems paradoxical only in relation to the Mondrian that people interpreted in the [nineteen-]thirties as a rather cold and static artist. Maybe it is only more recently that we have realized about the blinking that takes place at the intersection of the lines, of shuttling back and forth and so on, that Mondrian becomes in some ways a more dynamic artist than Kandinsky.