In the philosophy of Democritus the atoms are eternal and indestructible units of matter, they can never be transformed into each other. With regard to this question modern physics takes a definite stand against the materialism of Democritus and for Plato and the Pythagoreans. The elementary particles are certainly not eternal and indestructible units of matter, they can actually be transformed into each other. As a matter of fact, if two such particles, moving through space with a very high kinetic energy, collide, then many new elementary particles may be created from the available energy and the old particles may have disappeared in the collision. Such events have been frequently observed and offer the best proof that all particles are made of the same substance: energy.
Werner Heisenberg
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The animating purpose of James was, on the other hand, primarily moral and artistic. It is expressed in his phrase, "block universe," employed as a term of adverse criticism. Mechanism and idealism were abhorrent to him because they both hold to a closed universe in which there is no room for novelty and adventure. Both sacrifice individuality and all the values, moral and aesthetic, which hang upon individuality; for according to absolute idealism, as to mechanistic materialism, the individual is simply a part determined by the whole of which he is a part. Only a philosophy of pluralism, of genuine indetermination, and of change which is real and intrinsic gives significance to individuality. It alone justifies struggle in creative activity and gives opportunity for the emergence of the genuinely new.
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Jacek Tylicki
The final test of painting, theirs, mine, any other, is; does the painter's emotion comes across?.. ..Procedure is the keyword.. ..The difference is that we don't begin with a definite sense of procedure. It's free association from the start to the finished state. The old idea was to make use of your talent. This, we feel, is often to take the line of least resistance.. ..painters like Rothko, Pollock, Still, perhaps in reaction to the tendency to analyze which has dominated painting from Seurat to Albers, associate with very little analysis. A new form of expressionism inevitably followed. With De Kooning the procedure is continual change, and the immediacy of the change. With Jackson, it's the confidence you feel from the concentration of his energy in a given picture.. (1958)
Franz Kline