Friedrich is recognized today as the supreme German painter of the Romantic era, but in his own time his genius was not so widely acknowledged. This was not because the aims of his art were foreign to the interests of his generation. On the contrary, his allusions to the spiritual in nature, his close study of the local landscape, and his emphasis on the need for inspiration were all commonplace preoccupations of the period. His art was undervalued because it explored these areas with a new uncompromising vision that was too personal and original to be easily grasped.
Caspar David FriedrichRelated topics
art close commonplace contrary emphasis era foreign generation genius german inspiration landscape local nature need original painter period personal romantic spiritual study supreme time vision today interestsRelated quotes
Volumes might be written upon the follies and imbecilities of great men. A full rounded man - a man of sterling sense and natural logic - is just as rare as a great painter, poet, or sculptor. If you tell your friend that he is not a painter, that he has no genius for poetry, he will probably admit the truth of what you say, without feeling that he has been insulted in the least. But if you tell him that he is not a logician, that he has but little idea of the value of a fact, that he has no real conception of what evidence is, and that he never had an original thought in his life, he will cut your acquaintance.
Robert G. Ingersoll
My interest in economics had the following roots. Like many of my generation I considered the heavy unemployment in the United Kingdom in the inter-war period as both stupid and wicked. Moreover, I knew the cure for this evil, because I had become a disciple of the monetary crank, Major C. H. Douglas, to whose works I had been introduced by a much loved but somewhat eccentric maiden aunt. But my shift to the serious study of economics gradually weakened my belief in Major Douglas's A+B theorem, which was replaced in my thought by the expression MV = PT.
James Meade
On the way from the Renaissance to our days we have enriched our experience, but we have lost the concept of a Supreme Complete Entity which used to restrain our passions and our irresponsibility. We have placed too much hope in political and social reforms, only to find out that we were being deprived of our most precious possession: our spiritual life. In the East, it is destroyed by the dealings and machinations of the ruling party. In the West, commercial interests tend to suffocate it. This is the real crisis. The split in the world is less terrible than the similarity of the disease plaguing its main sections.
Aleksandr Solzhenitsyn
The era of the masses, which follows the age of the republics, excites the feelings and dazzles the eyes. But even though the vision of this era denotes genuine freedom of the masses and their happy emancipation from the bonds of external authoritarian structures, it warns also of the dangers of a period of chaos and demagoguery, and the threat of a return to the authority of the individual, the sect and party, instead of the authority of the people. Theoretically, this is genuine democracy but, realistically, the strong always rules. That is, the stronger party in the society is the one that rules.
Muammar Gaddafi
In our variable climate where [all] the seasons are recognizable in one day, where all the vapoury turbulence involves the face of things, where nature seems to sport in all: her dignity and dispensing incidents for the artist's study.. ..how happily is the landscape painter situated, how roused by every change in nature in every moment, that allows no languor even in her effects which she places before him, and demands most peremptorily every moment his admiration and investigation, to store his mind with every change of time and place.
J. M. W. Turner
