When Mrs. Casaubon was announced he started up as from an electric shock, and felt a tingling at his fingerends. Any one observing him would have seen a change in his complexion, in the adjustment of his facial muscles, in the vividness of his glance, which might have made them imagine that every molecule in his body had passed the message of a magic touch. And so it had. For effective magic is transcendent nature; and who shall measure the subtlety of those touches which convey the quality of soul as well as body, and make a man's passion for one woman differ from his passion for another as joy in the morning light over valley and river and white mountain-top differs from joy among Chinese lanterns and glass panels? Will, too, was made of very impressible stuff. The bow of a violin drawn near him cleverly, would at one stroke change the aspect of the world for him, and his point of view shifted- as easily as his mood. Dorothea's entrance was the freshness of morning.
George EliotRelated topics
adjustment aspect body bow change chinese complexion differ draw effective electric entrance facial felt freshness glance glass imagine joy light magic might measure message molecule mood morning nature near observing passion point quality river seen shock soul stroke stuff subtlety tingling touch transcendent valley view violin well white woman world mrs vividnessRelated quotes
The fundamental maxim of those who stand at the head of this Age, and therefore the principle of the Age, is this,-to accept nothing as really existing or obligatory, but that which they can understand and clearly comprehend. With regard to this fundamental principle, as we have now declared and adopted it without farther definition or limitation, this third Age is precisely similar to that which is to follow it, the fourth, or age of Reason as Science,-and by virtue of this similarity prepares the way for it. Before the tribunal of Science, too, nothing is accepted but the Conceivable. Only in the application of the principle there is this difference between the two Ages,-that the third, which we shall shortly name that of Empty Freedom, makes its fixed and previously acquired conceptions the measure of existence; while the fourth-that of Science-on the contrary, makes existence the measure, not of its acquired, but of its desiderated beliefs.
Johann Gottlieb Fichte
"It is an evil, sir, an unmitigated evil," Lincoln said. "I shall never forget the group of chained Negroes I saw going down the river to be sold close to a quarter of a century ago. Never was there so much misery, all in one place. If your secession triumphs, the South will be a pariah among nations." "We shall be recognized as what we are, a nation among nations," Lee returned. "And, let me repeat, my being here is a sign secession has triumphed. What I would seek to do now, subject to the ratification of my superiors, is suggest terms to halt the war between the United States and Confederate States." Lincoln refused to call Lee's country by its proper name. As a small measure of revenge, Lee put extra weight on that name. Lincoln sighed. This was the moment he had tried to evade, but there was no evading it, not with the commander of the Army of Northern Virginia in his parlor. "Name your terms, General," he said in a voice full of ashes.
Harry Turtledove
If the resistances in one direction are impossible to overcome, then the artist's invention and powers of expression turn to a goal the way to which is not obstructed, and it is very unusual for him even to be aware of the fact that his achievement is a substitute for the real thing. Even in the most liberal democracy the artist does not move with perfect freedom and unrestraint; even there he is restricted by innumerable considerations foreign to his art. The different measure of freedom may be of the greatest importance for him personally but in principle there is no difference between the dictates of a despot and the conventions of even the most liberal social order. If force in itself were contrary to the spirit of art, perfect works of art could arise only in a state of complete anarchy. But in reality the presuppositions on which the aesthetic quality of a work depends lie beyond the alternative presented by political freedom and compulsion.
Arnold Hauser
In conversing with persons who are not officially attached to Observatories or in other ways professionally cognizant of the technicalities of practical Astronomy but who nevertheless display great interest... these persons appear to regard the determination of measures like those of the distance of the Sun and Moon as mysteries beyond ordinary comprehension... [and] when persons well acquainted with the general facts of Astronomy are introduced into an Observatory, they are for the most part utterly unable to understand anything which they see...
The measure of the Moon's distance involves no principle more abstruse than the measure of the distance of a tree on the opposite bank of a river. The principles of construction of the best Astronomical instruments are as simple and as closely referred to matters of common school-education and familiar experience, as are those of the common globes, the steam engine, or the turning-lathe; the details are usually less complicated.
George Biddell Airy
We humans have a deep need to think highly of ourselves. If that opinion of our goodness, greatness, and brilliance diverges enough from reality, we become grandiose. We imagine our superiority. Often a small measure of success will elevate our natural grandiosity to even more dangerous levels. Our high self-opinion has now been confirmed by events. We forget the role that luck may have played in the success, or the contributions of others. We imagine we have the golden touch. Losing contact with reality, we make irrational decisions. That is why our success often does not last. Look for the signs of elevated grandiosity in yourself and in others-overbearing certainty in the positive outcome of your plans; excessive touchiness if criticized; a disdain for any form of authority. Counteract the pull of grandiosity by maintaining a realistic assessment of yourself and your limits. Tie any feelings of greatness to your work, your achievements, and your contributions to society.
Robert Greene
