Our time is Gothic in its spirit. Unlike the Renaissance, it is not dominated by a few outstanding personalities. The twentieth century has established the democracy of the intellect. In the republic of art and science, there are many men who take an equally important part in the intellectual movements of our age. It is the epoch rather than the individual that is important. There is no one dominant personality like Galileo or Newton. Even in the nineteenth century, there were still a few giants who outtopped all others. Today the general level is much higher than ever before in the history of the world, but there are few men whose stature immediately sets them apart from all others.
Albert EinsteinRelated topics
age apart art century democracy dominant epoch few general gothic history individual intellect intellectual men level nineteenth personality renaissance republic science spirit stature take time twentieth unlike world others today newton higher galileoRelated quotes
If Korzybski cannot be said to have established an empirical science, what then has he done? He has pointed a way toward the establishment of such a science. He was a precursor of an intellectual revolution which is just now beginning and which promises to match that of the Renaissance. If Korzybski is seen in this role, then the question of his originality or erudition is not important. He might have something of a dilettante in him. He might have pretended to have more specialized knowledge than he actually had. Great portions of his outlook might be found in the works of more modest and more meticulous workers, That is not important. He was a man of vision and an apostle. Such men are all too rare in our age of specialization.
Anatol Rapoport
I met the New Passion, then, as democracy, as political enlightenment and the humanitarianism of happiness. I understood its efforts to be toward the politicization of everything ethos; its aggressiveness and doctrinary intolerance consisted – I experienced them personally – in its denial and slander of every nonpolitical ethos. "Mankind” as humanitarian internationalism; "reason” and "virtue” as the radical republic; intellect as a thing between a Jacobin club and Freemasonry; art as social literature and maliciously seductive rhetoric in the service of social "desirability”; here we have the New Passion in its purest political form as I saw it close up. I admit that this is a special, extremely romanticized form of it.
Thomas Mann
Another theme of the Wake that helps in the understanding of the paradoxical shift from cliché to archetype is "pastimes are past times". The dominant technologies of one age become the games and pastimes of a later age. In the twentieth century the number of past times that are simultaneously available is so vast as to create cultural anarchy. When all the cultures of the world are simultaneously present, the work of the artist in the elucidation of form takes on new scope and new urgency. Most men are pushed into the artist role. The artist cannot dispense with the principle of doubleness and interplay since this kind of hendiadys-dialogue is essential to the very structure of consciousness, awareness, and autonomy.
Marshall McLuhan
The times we live in are alternately derided for their failings and romanticized for their emerging opportunities. It sometimes seems that we now live amid greater violence, greater uncertainty; that the world suffers more conflicts and tragedies; that the poor are poorer and greater in number; that race, ethnicity and nationalism divide us more intractably than ever before.
But that is not so. Human beings are still capable of violence and cruelty. We all succumb to sin. But look back at any preceding century or even just a few decades, and you will see cruelty, violence and misery on a scale that is, with few exceptions, unknown today.
John McCain
Art is simultaneously particular and general. This is a real dichotomy. The great thing about proportion, one aspect of art, is that it is both extremes at once. The level of quality of a work can usually be established by the extent of the polarity between its generality and particularity. Or, to state the idea a little too simply, the better the work, the more diverse its aspects. The nature of the general aspects and the particular ones changes from artist to artist and especially from time to time, since the changes are due to broad changes in philosophy. This change is the essential change in art, determining its purpose and appearance.
Donald Judd
