I look back in wonder at The Dud Avocado: in wonder at its initial reception and at the many times it's been reissued - for years it was even republished alongside of every new book of mine that came out. I look back in wonder at the 1950s. The dull conformity of those years as they are generally imagined is something I don't recognize. I look back in wonder at London in particular, where whole areas destroyed during the Second World War still lay in rubble. But London was in the midst of a renaissance for artists. In literature and playwriting the Angry Young Men were making their splash and new young actors like Richard Burton, Peter O Toole, Albert Finney, and Peter Finch were coming into their own. London was an orderly place where it was safe to take risks. Optimism was the rule of the day and I was there. (Elaine Dundy)

I look back in wonder at The Dud Avocado: in wonder at its initial reception and at the many times it's been reissued - for years it was even republished alongside of every new book of mine that came out. I look back in wonder at the 1950s. The dull conformity of those years as they are generally imagined is something I don't recognize. I look back in wonder at London in particular, where whole areas destroyed during the Second World War still lay in rubble. But London was in the midst of a renaissance for artists. In literature and playwriting the Angry Young Men were making their splash and new young actors like Richard Burton, Peter O Toole, Albert Finney, and Peter Finch were coming into their own. London was an orderly place where it was safe to take risks. Optimism was the rule of the day and I was there.

Elaine Dundy

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