There is an obscurum per obscurius problem as well. In order to know whether or not giraffes are taller than ants we must first know (a) whether or not there is a consensus that giraffes are taller than ants, and (b) if there is, whether or not the communication that produces that consensus was free, open, and undistorted. But isn't it obvious that it is easier to determine whether or not giraffes are taller than ants than it is to determine either (a) or (b)? Or, to put it another way, wouldn't any skeptical doubts about our ability to determine even something so obvious as that giraffes are taller than ants also be more than sufficient to wipe out any hope of being able to know about the outcome, and degree of openness, of any process of public communication?
David DetmerRelated topics
ability able communication consensus degree easy free hope open openness order outcome per problem process public something way well wipeRelated quotes
We are in process of passing from one religious age into another. The spiritual trends of today are steadily becoming more defined. The hearts of men have never been more open to spiritual impression than they are at this time, and the door into the very centre of reality stands wide open. Paralleling, however, this significant development is a trend in the counter direction, and materialistic philosophies and doctrines of negation are becoming increasingly prevalent. To many, the whole question of the validity of the Christian religion remains to be determined. Claims are made that Christianity has failed and that man does not need the Gospel story with its implications of divinity and its urge to service and sacrifice.
Alice Bailey
Creativity is just connecting things. When you ask creative people how they did something, they feel a little guilty because they didn't really do it, they just saw something. It seemed obvious to them after a while. That's because they were able to connect experiences they've had and synthesize new things. And the reason they were able to do that was that they've had more experiences or they have thought more about their experiences than other people... Unfortunately, that's too rare a commodity. A lot of people in our industry haven't had very diverse experiences. So they don't have enough dots to connect, and they end up with very linear solutions without a broad perspective on the problem. The broader one's understanding of the human experience, the better design we will have.
Steve Jobs
Nevertheless. among all the temptations I will have to resist today. There would be the temptation of memory: to recount what was for me. and for those of my generation who shared it during a whole lifetime. The experience of Marxism. The quasi-paternal figure of Marx, the way it fought in us with other filiations, the reading of texts and the interpretation of a world in which the Marxist inheritance was-and still remains, and so it will remain-absolutely and thoroughly determinate. One need not be a Marxist or a communist in order to accept this obvious fact. We all live in a world, some would say a culture, that still bears, at an incalculable depth, the mark of this inheritance, whether in a directly visible fashion or not.
Jacques Derrida
The Class of 1858, to which Henry Adams belonged, was a typical collection of young New Englanders, quietly penetrating and aggressively commonplace; free from meannesses, jealousies, intrigues, enthusiasms, and passions; not exceptionally quick; not consciously skeptical; singularly indifferent to display, artifice, florid expression, but not hostile to it when it amused them; distrustful of themselves, but little disposed to trust any one else; with not much humor of their own, but full of readiness to enjoy the humor of others; negative to a degree that in the long run became positive and triumphant. Not harsh in manners or judgment, rather liberal and open-minded, they were still as a body the most formidable critics one would care to meet, in a long life exposed to criticism.
Henry Adams
When I paint an abstract picture (the problem is very much the same in other cases), I neither know in advance what it is meant to look like nor, during the painting process, what I am aiming at and what to do about getting there. Painting is consequently an almost blind, desperate effort, like that of a person abandoned, helpless, in totally incomprehensible surroundings – like that of a person who possesses a given set of tools, materials and abilities and has the urgent desire to build something useful which is not allowed to be a house or a chair or anything else that has a name; who therefore hacks away in the vague hope that by working in a proper, professional way he will ultimately turn out something proper and meaningful.
Gerhard Richter
