Rubens, when past fifty years of age, used the time he did not give to the business of his mission to the King of Spain in copying the superb Italian originals he found in Madrid.. .Accuracy of the eye, sureness of the hand, the art of carrying the picture on from the indications of the lay-in to the rounding out of the work, and so many other matters which are all of primary importance, demand application at every moment, and the practice of a lifetime.
Eugène DelacroixRelated topics
accuracy age application art business carrying copying demand eye fifty found hand importance italian king lifetime mission moment past picture practice primary rounding sureness time work years spain madrid lay-in rubensRelated quotes
I'm weary of conjectures,-this must end 'em.
Thus am I doubly armed: my death and life,
My bane and antidote, are both before me:
This in a moment brings me to an end;
But this informs me I shall never die.
The soul, secured in her existence, smiles
At the drawn dagger, and defies its point.
The stars shall fade away, the sun himself
Grow dim with age, and Nature sink in years;
But thou shalt flourish in immortal youth,
Unhurt amidst the war of elements,
The wrecks of matter, and the crush of worlds.
Joseph Addison
The one object of fifty years of abstract art is to present art-as-art and as nothing else, to make it into the one thing it is only, separating and defining it more and more, making it purer and emptier, more absolute and exclusive – non-objective, non-representational, non-figurative, non-imagist, non-expressionist, non-subjective. The only and one way to say what abstract art or art-as-art is, is to say what it is not.
Ad Reinhardt
The general misunderstanding of a work of art is often due to the fact that the key to its spiritual content and technical means is missed. Unless the observer is trained to a certain degree in the artistic idiom, he is apt to search for things which have little to do with the aesthetic content of a picture. He is likely to look for pure representational values when the emphasis is really upon music-like relationships.
Hans Hofmann
Arthur Schlesinger, Jr., in a mordant protest written soon after the [1952] election, found the intellectual "in a situation he has not known for a generation.” After twenty years of Democratic rule, during which the intellectual had been in the main understood and respected, business had come back into power, bringing with it "the vulgarization which has been the almost invariable consequence of business supremacy.”.
Richard Hofstadter
Art, and, above all, music, has a fundamental function, which is to catalyze the sublimation that it can bring about through all means of expression. It must aim through fixations which are landmarks, to draw [one] towards a total exaltation in which the individual mingles, losing his consciousness in a truth immediate, rare, enormous, and perfect. If a work of art succeeds in this undertaking even for a single moment, it attains its goal.
Iannis Xenakis
