In the office there are about fifteen people whose attention is directed toward a table covered with the costly fabric [raw cotton]; one man is bent over the table and another is sort of seating on it – the buyer and the broker are discussing a sample. A painting of a vernacular subject, if there is such a thing, and I think by a better hand than most others (a size 40 canvas, I think). I'm planning another less complicated and more surprising yet, better art, in which everyone is in summer dress, the walls white, and a sea of cotton on the tables. (translation based on M. Kay's, in M. Gérin [ed.] and M. Kay, transl. 'Degas letters', Oxford, 1947, pp. 29-30, no. 2. (Edgar Degas)

In the office there are about fifteen people whose attention is directed toward a table covered with the costly fabric [raw cotton]; one man is bent over the table and another is sort of seating on it – the buyer and the broker are discussing a sample. A painting of a vernacular subject, if there is such a thing, and I think by a better hand than most others (a size 40 canvas, I think). I'm planning another less complicated and more surprising yet, better art, in which everyone is in summer dress, the walls white, and a sea of cotton on the tables. (translation based on M. Kay's, in M. Gérin [ed.] and M. Kay, transl. 'Degas letters', Oxford, 1947, pp. 29-30, no. 2.

Edgar Degas

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art attention based bent broker buyer canvas cotton dress everyone fabric fifteen hand less man office oxford painting people planning raw sample sea seating size sort subject summer surprising table thing think translation vernacular white yet letters others degas kay tables

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