![They [French critics of the Paris Salon of 1824, where his painting 'the Hay Wain' received a gold medal] are very amusing and acute - but very shallow and feeble. Thus one - after saying: "'it is but justice to admire the truth - 'the color' - and 'general vivacity' & richness -" – yet they want the objects more formed and defined &c, and say they are like the rich preludes in musick, and the full harmonious warblings of the Aeolian lyre, which means 'nothing,' and they call them orations - and harangues - and high-flown conversations affecting a careless ease - &c &v &c - Is not some of this 'blame' the highest 'praise' – what is poetry? – What is Coleridge's Ancient Mariner (the very best modern poem) but something like this? (John Constable)](https://cdn.quotesdtb.com/img/quotes_images_webp/73/john-constable-acute-aeolian-864073.webp)
They [French critics of the Paris Salon of 1824, where his painting 'the Hay Wain' received a gold medal] are very amusing and acute - but very shallow and feeble. Thus one - after saying: "'it is but justice to admire the truth - 'the color' - and 'general vivacity' & richness -" – yet they want the objects more formed and defined &c, and say they are like the rich preludes in musick, and the full harmonious warblings of the Aeolian lyre, which means 'nothing,' and they call them orations - and harangues - and high-flown conversations affecting a careless ease - &c &v &c - Is not some of this 'blame' the highest 'praise' – what is poetry? – What is Coleridge's Ancient Mariner (the very best modern poem) but something like this?
John ConstableRelated topics
acute best blame call color ease french full general gold hay justice lyre nothing praise rich salon say saying shallow something thus truth vivacity yet meansRelated quotes
It seems to me that today the Surrealist crisis is the central problem in French art. It is essential for future development that this crisis should be solved... The principal error in the aesthetic program of Surrealism is that it is too literary. Painters have experimented with visions, images, dreams, but not with painting, not with color.. .The unpainterliness of Surrealism has inevitably produced a reaction among younger painters. [Jorn is thinking here of French painters such as Bazaine, Esteve, Lapique, Singier, Le Moal, and he suggests there should be reciprocity].. .These artists cannot get any further unless they absorb the lessons of Surrealism into their painting, just as Surrealists can only advance if they adopt the painterly methods of the other group.
Asger Jorn
The period during the First World War was a very exciting time in Paris, with artists, philosophers, and poets continually discussing and arguing about the work with which they were involved. Although I myself am little concerned with abstract theory, I certainly do think of cubism as a form of emancipation essentially different from artistic movements that had preceded it. Thus, impressionism, while it was a revolutionary technique, was still an essentially naturalistic movement concerned with a precise examination of the nature of light and the effect of changing lights on representational scenes and objects. Cubism did add a new dimension to painting and sculpture, a dimension that changed our way of looking at nature and the work of art.
Jacques Lipchitz
We [the American Abstract-expressionist artists of the 1940's] were formed by the Depression [1930's], when the American dream lay in pieces on the floor. The possibility of making money was inconceivable to us. America was innocent in relation to modern art, and no one cared. The reigning painters in America were very parochial in relation to the international tradition... What held us together was our ambition to use the standards of international modernism as a gauge, not those of Thomas Hart Benton or Grant Wood or Guy Pene du Bois. We did have a terrible struggle, but not for success. It was to make painting that would stand up under international scrutiny, and all the rest was a byproduct.
Robert Motherwell
I was invited to come here to speak about my idea of art, which is to enlarge the effectivity of art beyond the idea of art as coming out of art history - an art idea which contains the well-known disciplines like sculpture, architecture, painting, music, dancing, poetry and so on. I would like to declare why I feel that it's now necessary to establish a new kind of art, able to show the problems of the whole society, of every living being - and how this new discipline - which I call social sculpture - can realize the future of humankind. It could be a guarantee for the evolution of the earth as a planet, establish conditions for other planetarians too, and you can control it with your own thinking.
Joseph Beuys
Dear Rainer Maria Rilke
I thank you for saying that you rather like my painting of 'the little child'... You have brought me the first touch of Paris with this phrase of yours about 'liking and approving', and that alone is a great deal... Will I be seeing you here [in Worpswede] before I leave? I really hope not. The ground is burning a little beneath my feet... And now, I don't even know how I should sign my name. I'm not Modersohn, but I'm no longer Paula Becker anymore either [because she was married with Otto Modersohn, but is now leaving him]. I am Me, and I hope to become Me more and more. That is surely the goal of all our struggles... I am now leaving Friday night and shal arrive in Paris on Saturday. Write a line to 29 Rue Cassette, where I plan to stay..
Paula Modersohn-Becker
