![The first start I ever got in the big leagues was in Pittsburgh for the last three games in 1967. I knew Dock Ellis and I met Clemente through him. We talked every time we met in the following years. He gave me a few pointers. I felt if a guy like Roberto could tell you something, it was wise to listen. I always like to talk to outstanding players about hitting – Roberto Clemente, Joe Torre, Tommy Davis. Guys who have the same hitting style as I do. But I remember Roberto for one thing he did with his glove, not his bat. In 1971, he took a home run away from me here in the Dome. Steve Blass was pitching and we were behind, 1-0, in the ninth. Joe Morgan walked and I hit a ball to right that was going over the yellow line. I know the game is tied for sure. If [it's gone], we win. But Clemente went head-on into the wall, and fell to the ground, almost on his neck. He was motionless. Al Oliver came over and took the ball out of his glove. I couldn't believe he caught the ball. (Roberto Clemente)](https://static.quotesdtb.com/img/quotes_images/37/roberto-clemente-almost-ball-1004237.jpg)
The first start I ever got in the big leagues was in Pittsburgh for the last three games in 1967. I knew Dock Ellis and I met Clemente through him. We talked every time we met in the following years. He gave me a few pointers. I felt if a guy like Roberto could tell you something, it was wise to listen. I always like to talk to outstanding players about hitting – Roberto Clemente, Joe Torre, Tommy Davis. Guys who have the same hitting style as I do. But I remember Roberto for one thing he did with his glove, not his bat. In 1971, he took a home run away from me here in the Dome. Steve Blass was pitching and we were behind, 1-0, in the ninth. Joe Morgan walked and I hit a ball to right that was going over the yellow line. I know the game is tied for sure. If [it's gone], we win. But Clemente went head-on into the wall, and fell to the ground, almost on his neck. He was motionless. Al Oliver came over and took the ball out of his glove. I couldn't believe he caught the ball.
Roberto ClementeRelated topics
almost ball bat behind believe big came catch dock dome fell felt few following game glove went ground guy hit hitting home joe last line listen met neck ninth oliver pitching right run something start steve style sure take talk tell thing three time tommy wall win wise yellow years davis morgan head-on guys pittsburghRelated quotes
We played a gig in the Swiss Alps at a snowboarding convention. Red Bull-this energy sports-fuel drink-sponsored the whole thing. It has some ingredient believed to be bull-testicle extract. We went way off our tour route, had to take two planes and missed a night's sleep. We got up there and there's no snow-it's all mud. You couldn't walk. You'd step and then be up to your knee in mud. So you had several thousand disgruntled snowboarders tanked up to the max on bull-testicle extract. Of course, for some reason, these strapping brutes were made to wait out in the mid and the rain before coming into the tent for the show. When we get up to play, I see this forty-foot gap between us and the audience-they still managed to nail us with empty cans of Red Bull. After a few songs, I wasn't really playing my guitar, I was using it to bay cans back into the crowd of disgruntled sports enthusiasts. It felt like we were A Flock of Seagulls opening for Napalm Death.
Beck
When I had my own company on Traffic and Coonskin, all metaphors were able to get to the screen clearly. In Cool World, with the producer and Paramount watching me carefully to make sure I was in good taste, I instinctively poured stuff into the picture that I wanted to talk about. But when you force stuff, it's not really very clear. But, I have a great love for Max Fleischer, especially some of his Black & White Betty Boops with their strange Cab Calloway and Louis Armstrong black folk tale jazz hipness that part of Cool World was a homage in style to those films and that style of cartooning. The Grim Reaper is right out of a Max Fleischer cartoon or old Terrytoons, which is why I hired and love Milton Knight the artist. He understands totally the Uncle Remus fable like qualities behind Fleischer and Terrytoons. Milton Knight is probably the purest artist of that style in the business. He has a hard time because studios think he is old fashioned...but that's the point.
Ralph Bakshi
DOGS, KIDDIE PORN & STAR TREK: (Hey, that's a good book title). Unfortunately, I was out with Cosmo when the conversation got interesting around here. First of all, while I think it is wrong to judge dogs by human political categories they most certainly aren't liberals. Dogs may try to run your life, but they do not much care about running the lives of people they've never met. And still, they are willing to judge others -- and admit it. They are morally pragmatic, loyal and willing to share with family while outraged or flummoxed by the idea of taxation for the benefit of people or dogs they don't know. They firmly believe in sexual harassment as a modus vivendi. They believe nature is a tool. They are not vegetarians and reject animal rights. They chuff at egalitarianism. In short, I think they are Monarchists; they believe in something very close to a Great Chain of Being with humans and dogs at the top (and, even at the top humans and dogs have different ranks).
Jonah Goldberg
A note to our enemies. You think you know America, but you only see the tiny, inept, incompetent, cowering political tip of a very big, very capable iceberg. You don't know the Heartland where the people are fiercely independent and willing to defend this nation with their bare hands if that's what it takes. You don't know the steel workers in Pittsburgh with muscles that could break a man's neck like a twig. You don't know the swamp folks in Cajun country that can wrestle a full-grown alligator out of the water. You don't know the mountain folks in Appalachia who can knock a squirrel's eye out from a hundred yards away with a small caliber rifle. You don't know the farmers, the cowboys, the loggers and the seagoing folks. You don't know the truck drivers, the carpenters, the mountain men who live off the land, the hard rock miners or the small town cops who keep the peace in the rowdy border towns. No, you don't know America.
Charlie Daniels
You know the answers, but just between ourselves, that sketch smells a bit. It's sloppy.”
"I never did have any artistic talent,” Art said defensively. "I'd rather take a photograph any day.”
"You've taken too many photographs, maybe. As for artistic talent, I haven't any either, but I learned to sketch. Look, Art-the rest of you guys get this, too-if you can't sketch, you can't see. If you really see what you're looking at, you can put it down on paper, accurately. If you really remember what you have looked at, you can sketch it accurately from memory.”
"But the lines don't go where I intend them to.”
"A pencil will go where you push it. It hasn't any life of its own. The answer is practice and more practice and thinking about what you are looking at. All of you lugs want to be scientists. Well, the ability to sketch accurately is as necessary to a scientist as his slipstick. More necessary, you can get along without a slide rule.
Robert A. Heinlein
