Roberto Clemente was such an awesome hitter. I never knew how to pitch him. You could throw the ball a foot inside and he'd hit a line drive down the left field line. Throw it a foot outside and he'd hit a home run over the right field fence. Dick Selma was pitching in Forbes Field one time and it was a tight spot late in the game. Roberto was up with a chance to beat us, and Westrum came out to the mound. He knew that if you threw the ball inside or outside, Roberto could still hurt you. So he said, "Throw one right down the middle of the plate, letter high. He won't be looking for it there.” Sure enough, Roberto hit it 400 feet, but he hit to dead center field for an out.
Roberto ClementeRelated topics
awesome ball beat came center chance dead drive enough feet fence field foot game high hit hitter home hurt inside late left letter line looking middle mound outside pitch pitching plate right run say spot sure throw time dick selmaRelated quotes
In an autobiography one must surely be allowed to boast, just for fun. I have, at a range of twenty feet, shot the tobacco out of a cigarette and left the paper intact. At a range of thirty feet, I have split a target, edge towards me, with an air pistol. I am also the world's champion in a game called "You Are the Target," in which anyone better than I would be dead. The game is to shoot an arrow straight up and see how near to you it can be allowed to land. You have to watch its fall very carefully, but I have had it hit the ground exactly between my feet. Of course, there were no witnesses. Had there been, they would forcefully have discouraged the experiment. I was using a fifty-five pound bow.
Alan Watts
It was given to me by the late Shannon Hoon, who fashioned it out of a fork he got in Denny's (a US fast food chain) on the first tour Blind Melon ever did, which was opening for us. I really liked it, but I stopped wearing it after he died. Because the other thing I wore was this ring that belonged to Andy Wood, who died. It's like, 'I don't wanna wear these f**king things from people who died.' A girl outside the hotel tonight had a similar fork, and I've had people throw them on-stage. I've seen hundreds of those forks, but it always reminds me of Shannon. They're making them cos they're thinking of me, but really it's him. Which is cool.
Chris Cornell
The United States reaps the thorns that its leaders have planted in the world. These thorns have not only caused the feet and hearts of certain people to bleed, but also caused the eyes of the people to bleed - those people who wept a lot over their dead.... This was the case in Japan, which was the first to suffer from the capabilities of nuclear destruction on which the United States prides itself. This also includes what it did in Vietnam and Iraq and wha it did against the Russian nuclear submarine... The United States has become a burden on all of us. It threatens our security and that of the world on a daily basis... Why do you drive the world to this point, and why do you stab the world with a dagger?
Saddam Hussein
There's no doubt that my forehand and backhand can match anyone, it's about the place that they're put in. I can hit the ball as hard as anyone can, but I think it's more about where I'm hitting the ball. Instead of 90 mph it can just be a 50 mph forehand, but the placement is more important. So I've been working on that a lot more. When you're working on things, maybe your performance drops a little bit or you're trying new things in every tournament you're going in so that's just a process of being an athlete because you're learning, you're adding new things to your game. When I sit with my notes, for instance, instead of hitting a hard forehand return, I would like to hit an angled forehand return instead.
Sania Mirza
Nature has always been recorded by artists, from prehistoric cave paintings to twentieth-century landscape photography. I too wanted to make nature the subject of my work, but in new ways. I started working outside using natural materials like grass and water, and this evolved into the idea of making a sculpture by walking ... My first work made by walking, in 1967, was a straight line in a grass field, which was also my own path, going ‘nowhere'. In the subsequent early map works, recording very simple but precise walks on Exmoor and Dartmoor, my intention was to make a new art which was also a new way of walking: walking as art.
Richard Long
