![[Clemente] goes back to the ball he hit in Wrigley Field, Chicago. He rates this one No. 1 for distance, perhaps 600 feet. Clemente, himself, paced off the distance from the centerfield wall to the scoreboard right above and when he was shown the spot where the ball landed, he knew this was No. 1. "I hit one off Sam Jones one night over the left-center fence at Candlestick Park and that was a good one," he said. "And two I remember off Sandy Koufax. One over the right field fence at the Coliseum, the other here at Forbes Field. This one hit a transformer on the left-field light tower on the way up and it stopped. No telling how far it might have gone. And you remember I came within a few inches of putting one on the right field roof here.". (Roberto Clemente)](https://static.quotesdtb.com/img/quotes_images/89/roberto-clemente-above-ball-1004089.jpg)
[Clemente] goes back to the ball he hit in Wrigley Field, Chicago. He rates this one No. 1 for distance, perhaps 600 feet. Clemente, himself, paced off the distance from the centerfield wall to the scoreboard right above and when he was shown the spot where the ball landed, he knew this was No. 1. "I hit one off Sam Jones one night over the left-center fence at Candlestick Park and that was a good one," he said. "And two I remember off Sandy Koufax. One over the right field fence at the Coliseum, the other here at Forbes Field. This one hit a transformer on the left-field light tower on the way up and it stopped. No telling how far it might have gone. And you remember I came within a few inches of putting one on the right field roof here.".
Roberto ClementeRelated topics
above ball came candlestick coliseum distance far feet fence few field good hit light might night off park perhaps putting right roof sam sandy say show spot stop telling tower transformer wall way jones scoreboard chicago centerfield ratesRelated quotes
By the time I came to England at the age of sixteen I'd seen a great variety of landscapes. I think the English landscape was the only landscape I'd come across which didn't mean anything, particularly the urban landscape. England seemed to be very dull, because I'd been brought up at a much lower latitude - the same latitude as the places which are my real spiritual home as I sometimes think: Los Angeles and Casablanca. I'm sure this is something one perceives - I mean the angle of light, density of light. I'm always much happier in the south - Spain, Greece - than I am anywhere else. The English one, oddly enough, didn't mean anything. I didn't like it, it seemed odd. England was a place that was totally exhausted.
J. G. Ballard
See, before the Flood came, the people lived to be 900. But after the Flood, life spans dropped off to 400, and then 200, and then 100; but that's still a long time to live. And it's a simple fact the bones of your eyebrow ridge never stop growing. So if you could live to be three or four hundred years old, your eyebrow ridge would stick way out! People today that use their jaws a lot, like the Aborigines in Australia always using their jaws as a vice (they don't carry a toolbox with them), their eyebrow ridge sticks out really far, because of the chewing muscles. It pulls on the bone. The Neanderthals are perfectly normal humans that are living to be two or three hundred years old. That's all they are. Their brain's bigger than ours. They're not subhuman at all!
Kent Hovind
The ones [compliments] I value most came from Edgar Degas who said he was happy to see my work becoming more and more pure. The etcher Bracquemond, a pupil of Ingres, said - possibly he meant what he said - that my work shows increasing strength. I will calmly tread the path I have taken, and try to do my best. At bottom, I have only a vague sense of its rightness or wrongness. I am much disturbed by my unpolished and rough execution. I should like to develop a smoother technique which, while retaining the old fierceness, would be rid of those jarring notes which make it difficult to see my canvases clearly except when the light falls in front. There lies the difficulty - not to speak of drawing.
Camille Pissarro
"I'll be going now," she said.
Shinji made no answer and a surprised look came over his face. He had caught sight of a black streak that ran straight across the front of her red sweater.
Hatsue followed his gaze and saw the dirty smudge, just in the spot where she had been leaning her breast against the concrete parapet. Bending her head, she started slapping her breast with her open hands. Beneath her sweater, which all but seemed to be concealing some firm supports, two gently swelling mounds were set to trembling ever so slightly by the brisk brushing of her hands.
Shinji stared in wonder. Struck by her hands, the breasts seemed more like two small, playful animals. The boy was deeply stirred by the resilient softness of their movement.
The streak of dirt was finally brushed out.
Yukio Mishima
If you have weapons, take them home; if you do not have them, please do not seek to get them. We cannot solve this problem through retaliatory violence. We must meet violence with nonviolence. Remember the words of Jesus: «He who lives by the sword will perish by the sword.» We must love our white brothers, no matter what they do to us. We must make them know that we love them. Jesus still cries out in words that echo across the centuries: «Love your enemies; bless them that curse you; pray for them that despitefully use you.» This is what we must live by. We must meet hate with love. Remember, if I am stopped, this movement will not stop, because God is with the movement. Go home with this glowing faith and this radiant assurance.
Martin Luther King Jr.
