I am secretly a costume drama queen. Oo, I love me some Merchant Ivory films! I do! If there is a petticoat and Helena Bonham Carter, already I can feel the tears well up in my eyes. I love me some period films! And I know that I will never be in them. I will never be in any of these movies, unless I am laying down on my side smoking some opium. And I get offered movie roles all the time, but I say, "No! No! I don't want to play a manicurist. I don't want to play a really pissed-off liquor store owner. I don't want to go nowhere with a chicken under my arm. I don't want to play an exceptionally good student, I do not want to get off a tour bus and take numerous photographs, I do not ever want to utter the phrase, 'Welcome to Japan, Mr. Bond'! I don't want to write down all my memoirs about being a geisha!" What it is, is that I cannot run up a wall!!
Margaret ChoRelated topics
arm bond bus carter chicken costume drama good helena ivory japan laying liquor love memoirs merchant nowhere off opium owner period petticoat phrase play queen run say side smoking store student take time tour under wall welcome well write movie tears geisha manicurist bonham movies eyesRelated quotes
Opinion has been right to fasten upon sovereignty as the central issue. Either British entry is a declaration of intent to surrender this country's sovereignty, stage by stage, in all that matters as a nation, and makes a nation, or else it is an empty gesture, disgraceful in its hollowness alike to those who proffer and to whose who accept it. The superior people laugh at those who talk about losing our Queen and our Monarchy. ... The Queen is the Queen in Parliament, as truly today as when her predecessor, Tudor Henry, observed that ‘we are nowhere so high in our estate royal as in this Our High Court of Parliament'. The question which the people of this country will have proposed to them is: will you, or will you not, continue to be governed by the Queen in Parliament? It is no less than that, and they have understood it.
Enoch Powell
It is true that the materialistic society, the so-called culture that has evolved under the tender mercies of capitalism, has produced what seems to be the ultimate limit of this worldliness. And nowhere, except perhaps in the analogous society of pagan Rome, has there ever been such a flowering of cheap and petty and disgusting lusts and vanities as in the world of capitalism, where there is no evil that is not fostered and encouraged for the sake of making money. We live in a society whose whole policy is to excite every nerve in the human body and keep it at the highest pitch of artificial tension, to strain every human desire to the limit and to create as many new desires and synthetic passions as possible, in order to cater to them with the products of our factories and printing presses and movie studios and all the rest.
Thomas Merton
There has never been a time, until the last fifty years, when a majority of any population had regular and constant access to drama, and used this access. . . . It seems probable that in societies like Britain and the United States more drama is watched in a week or weekend, by the majority of viewers, than would have been watched in a year or in some cases a lifetime in any previous historical period. It is clearly one of the unique characteristics of advanced industrial societies that drama as an experience is now an intrinsic part of everyday life, at a quantitative level which is so very much greater than any precedent as to seem a fundamental qualitative change. Whatever the social and cultural reasons may finally be, it is clear that watching dramatic simulation of a wide range of experiences is now an essential part of our modern cultural pattern.
Raymond Williams
Hindus suffered such attempted extermination in East Bengal in 1971, when the Pakistani Army killed 1 to 3 million people, with Hindus as their most wanted target. This fact is strictly ignored in most writing about Hindu-Muslim relations, in spite (or rather because) of its serious implication that even the lowest estimate of the Hindu death toll in 1971 makes Hindus by far the most numerous victims of Hindu-Muslim violence in the post-colonial period. It is significant that no serious count or religion-wise breakdown of the death toll has been attempted: the Indian, Pakistani and Bangladeshi ruling classes all agree that this would feed Hindu grievances against Muslims.... Even apart from the 1971 genocide, "ordinary" pogroms in East Pakistan in 1950 alone killed more Hindus than the total number of riot victims in India since 1948.
Koenraad Elst
A fearful thing stood at the cloister's end
And eyed him for a while, then 'gan to wend
Adown the cloisters, and began again
That rattling, and the moan like fiends in pain.
And as it came on towards him, with its teeth
The body of a slain goat did it tear,
The blood whereof in its hot jaws did seethe,
And on its tongue he saw the smoking hair;
Then his heart sank, and standing trembling there,
Throughout his mind wild thoughts and fearful ran:
"Some fiend she was," he said, "the bane of man."
Yet he abode her still, although his blood
Curdled within him: the thing dropped the goat,
And creeping on, came close to where he stood,
And raised its head to him and wrinkled throat.
Then he cried out and wildly at her smote,
Shutting his eyes, and turned and from the place
Ran swiftly, with a white and ghastly face.
William Morris
