![[(...) here is Cernan on the subject of window gazing:] You have to literally just pinch yourself and ask yourself the question, silently: Do you know where you are at this point in time and space, and in reality and in existence, when you can look out the window and you're looking at the most beautiful star in the heavens -- the most beautiful because it's the one we understand and we know, it's home, it's people, family, love, life -- and besides that it is beautiful. You can see from pole to pole and across oceans and continents and you can watch it turn and there's no strings holding it up, and it's moving in a blackness that is almost beyond conception. (Eugene Cernan)](https://cdn.quotesdtb.com/img/quotes_images_webp/76/eugene-cernan-across-almost-1003576.webp)
[(...) here is Cernan on the subject of window gazing:] You have to literally just pinch yourself and ask yourself the question, silently: Do you know where you are at this point in time and space, and in reality and in existence, when you can look out the window and you're looking at the most beautiful star in the heavens -- the most beautiful because it's the one we understand and we know, it's home, it's people, family, love, life -- and besides that it is beautiful. You can see from pole to pole and across oceans and continents and you can watch it turn and there's no strings holding it up, and it's moving in a blackness that is almost beyond conception.
Eugene CernanRelated topics
across almost ask beautiful beyond conception family holding home life looking love moving people point question see space time turn watch window heavensRelated quotes
You ask if I mean to publish anything on the subject of a letter of mine to my friend Charles Thompson? Certainly not. I write nothing for publication, and last of all things should it be on the subject of religion. On the dogmas of religion as distinguished from moral principles, all mankind, from the beginning of the world to this day, have been quarrelling, fighting, burning and torturing one another, for abstractions unintelligible to themselves and to all others, and absolutely beyond the comprehension of the human mind. Were I to enter on that arena, I should only add an unit to the number of Bedlamites.
Thomas Jefferson
The vision of the artist or the poet is the intermediate determinant between the subject (the person) and the objective pole (the world-waiting-to-be). It will be nonbeing until the poet's struggle brings forth an answer - meaning. The greatness of a poem or a painting is not that it portrays the thing observed or experienced, but that it portrays the artist's or the poet's vision cued off by his encounter with the reality. Hence the poem or the painting is unique, original, never to be duplicated. No matter how many times Monet returned to paint the cathedral at Rouen, each canvas was a new painting expressing a new vision.
Rollo May
By asserting the objectivity of the physical world, naturalism identifies the existence and the conditions of existence of the physical world with existence and the conditions of existence in general. It forgets that the world of the physicist necessarily refers back, through its intrinsic meaning, through the subjective world which one tries to exclude from reality as being pure appearance, conditioned by the empirical nature of man, which is incapable of reaching directly to a world of things in themselves. But while the world of the physicist claims to go beyond naive experience, his world really exists only in relation to naive experience.
Emmanuel Levinas
Hegel ... destroyed the illusion of the subject's being-in-itself and showed that the subject is itself an aspect of social objectivity. ... However, ... we must ask this question: is this objectivity which we have shown to be a necessary condition and which subsumes abstract subjectivity in fact the higher factor? Does it not rather remain precisely what Hegel reproached it with being in his youth, namely pure externality, the coercive collective? Does not the retreat to this supposedly higher authority signify the regression of the subject, which had earlier won its freedom only with the greatest efforts, with infinite pains?
Theodor Adorno
...classic philosophy maintained that change, and consequently time, are marks of inferior reality, holding that true and ultimate reality is immutable and eternal. Human reasons, all too human, have given birth to the idea that over and beyond the lower realm of things that shift like the sands on the seashore there is the kingdom of the unchanging, of the complete, the perfect. The grounds for the belief are couched in the technical language of philosophy, but the grounds for the cause is the heart's desire for surcease from change, struggle, and uncertainty. The eternal and immutable is the consummation of mortal man's quest for certainty.
John Dewey
