Callas studied the text, the meaning of the words, and as a result, she became a diva. She became the Great Callas. Because she studied the character, she entered the mind of the character, and she brought the character to life onstage. Today, young singers don't have this mindset. They don't have the kind of technique that Callas had. ...Price, Milanov and Tebaldi had stupendous voices and great careers. [But] Callas, as a performer, as someone who expressed the real meaning of the words, was the best. The best. There is no doubt about this - not only for her sound, but because she studied so much. Callas is the diva. She is important to young singers, because she was a serious singer onstage, and she left a great legacy. I don't know, though, if they can listen and learn from what she left on her recordings. (Maria Callas)

Callas studied the text, the meaning of the words, and as a result, she became a diva. She became the Great Callas. Because she studied the character, she entered the mind of the character, and she brought the character to life onstage. Today, young singers don't have this mindset. They don't have the kind of technique that Callas had. ...Price, Milanov and Tebaldi had stupendous voices and great careers. [But] Callas, as a performer, as someone who expressed the real meaning of the words, was the best. The best. There is no doubt about this - not only for her sound, but because she studied so much. Callas is the diva. She is important to young singers, because she was a serious singer onstage, and she left a great legacy. I don't know, though, if they can listen and learn from what she left on her recordings.

Maria Callas

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best character doubt great kind learn left legacy life listen meaning mind performer price real result singer sound study technique text young today someone words mindset callas diva

Related quotes

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Kenneth Boulding

And since the proportions of the human voice and the gesticulations of the human body are regulated by the same modulation as that by which sound and the motion of other bodies are, musical thought is subalternated not only to the harmony of human voice and gesticulation, but also of instruments and of those whose delectation consist in motion or sound and with these the harmony of the celestial and non-celestial. And since the concordance of times and the composition and harmony of the lower world and of all things composed of four elements come from celestial motions, and, moreover, since it is necessary to find the harmony of causes in their effects, the study of music also extends to knowing the proportions of times and the constitution of the elements of the lower world, and even the composition of all the elements.

Robert Grosseteste

Extreme states of being, whether individual or collective, were once purposefully motivated. Some of those purposes no longer have meaning (expiation, salvation). The well-being of communities is no longer sought through means of doubtful effectiveness, but directly, through action. Under these conditions, extreme states of being fell into the domain of the arts, and not without a certain disadvantage. Literature (fiction) took the place of what had formerly been the spiritual life; poetry (the disorder of words) that of real states of trance. Art constituted a small free domain, outside action: to gain freedom it had to renounce the real world. This is a heavy price to pay, and most writers dream of recovering a lost reality. They must then pay in another sense, by renouncing freedom.

Georges Bataille

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