![[I]magination... is the faculty... the common root from which science and literature... spring and grow and flourish together. ...the great ages of science are the great ages of all the arts... [P]owerful minds have taken fire from one another... without asking... to tie their imagination to falling balls or a haunted island. ...When Galileo was looking through his telescope at the moon, Shakespeare was writing The Tempest and all Europe was in ferment, from Johannes Kepler to Peter Paul Rubens, and from the first table of logarithms by John Napier to the Authorized version of the Bible. (Jacob Bronowski)](https://cdn.quotesdtb.com/img/quotes_images_webp/72/jacob-bronowski-asking-bible-422572.webp)
[I]magination... is the faculty... the common root from which science and literature... spring and grow and flourish together. ...the great ages of science are the great ages of all the arts... [P]owerful minds have taken fire from one another... without asking... to tie their imagination to falling balls or a haunted island. ...When Galileo was looking through his telescope at the moon, Shakespeare was writing The Tempest and all Europe was in ferment, from Johannes Kepler to Peter Paul Rubens, and from the first table of logarithms by John Napier to the Authorized version of the Bible.
Jacob BronowskiRelated topics
asking bible common faculty falling ferment fire flourish great imagination island johannes john literature looking moon paul peter root science spring table take telescope tempest tie version writing europe arts kepler napier shakespeare balls galileo rubensRelated quotes
The effective inventor of the telescope and compound microscope was Galileo... Galileo's account of the path of the rays through the concave eye-piece and convex objective which he used was not satisfactory and was considerably improved by Kepler, who suggested the use of two convex lenses which became the basis of later instruments. Kepler had already written an important optical treatise in the form of a commentary on Witelo's Perspectiva... His improvements to the telescope may be regarded as what he had learned from the thirteenth-century writer.
Johannes Kepler
The reason the Internationalist Theatre productions demanded attention was that the directors who had already worked at top theatres like the Royal Court and the Royal Shakespeare Company had agreed to take the risk of directing classical plays with multi-racial casts, that the performance was of a very good standard, and furthermore that many prominent members of the arts establishment, Lindsay Anderson, Cameron MacKintosh, John Barton, Richard Eyre, the great casting director Mary Selway, Stephen Berkoff, Nicolas Roeg, came to see performances by Internationalsit Theatre.
Angelique Rockas
In this Sight mine understanding was lifted up into Heaven, and then God brought merrily to my mind David, and others in the Old Law without number; and in the New Law He brought to my mind first Mary Magdalene, Peter and Paul, and those of Inde; and Saint John of Beverley; and others also without number: how they are known in the Church in earth with their sins, and it is to them no shame, but all is turned for them to worship. And therefore our courteous Lord sheweth for them here in part like as it is there in fulness: for there the token of sin is turned to worship.
Julian of Norwich
The outlook of a Bruno, a Kepler, or a Galileo is determined by the idea of a comprehensive, all-embracing unity of the physical world. The same law governs the courses of the stars, the falling of stones, and the flight of birds. This homogenization of the physical world with respect to the validity of law deprives the division of physical objects into rigid abstractly defined classes of the critical significance it had for Aristotelian physics, in which membership in a certain conceptual class was considered to determine the physical nature of an object.
Kurt Lewin
Even where it is manipulated by major talents, deconstruction tends to bear either on marginal texts (Sade, Lautréamont), or on secondary work by a great writer (Barthes on Balzac's Sarrazine). The classics of deconstruction, in Jacques Derrida or Paul De Man, are "misreadings" not of literature but of philosophy; they address themselves to philosophical linguistics and the theory of language. The masks they seek to strip off are those worn by Plato, by Hegel, by Rousseau, by Nietszche or Saussure. Deconstruction has nothing to tell us of Aeschylus or Dante, of Shakespeare or Tolstoy.
George Steiner
