What's more, I realized that I had an artistic duty and an emotional right to speak to, for, and about millions like myself from all walks of life who felt as marginalized as I did, given the various sociopolitical issues that historically and presently haunt America. All this unearthing culminated in the new collection, How to Love a Country, which indeed focuses on the intersectionality between the private and public self, the personal and political posture, and the individual and the collective identity of nationhood...