Portraits of great war leaders or critical battles that looked flattering, well composed, and balanced always felt like propaganda. Tanaka had spent a lot of time in the halls of power. She'd seen many paintings of great men in uniform staring eagle-eyed into the distance where their future glory lay. She'd seen very few paintings of soldiers with only a ragged tent and a dying fire to hold back the cold nights before some stranger tried to bayonet them in the morning. (Daniel Abraham)

Portraits of great war leaders or critical battles that looked flattering, well composed, and balanced always felt like propaganda. Tanaka had spent a lot of time in the halls of power. She'd seen many paintings of great men in uniform staring eagle-eyed into the distance where their future glory lay. She'd seen very few paintings of soldiers with only a ragged tent and a dying fire to hold back the cold nights before some stranger tried to bayonet them in the morning.

Daniel Abraham

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bayonet cold critical dying distance felt few fire flattering future glory great hold men lay morning power propaganda ragged seen spend staring stranger tent time try uniform war well leaders halls nights

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