Composing a score is like getting in one of those mini-submarines that take you to the bottom of the ocean. You crawl into this little bubble, seal yourself away from the outside world and dive deep into uncharted territory. Sometimes the places you explore are dark, sometimes they're light. If you have the right tools and knowledge you can explore wherever you like and have a great experience. It's a crude analogy to genre hopping, but it's accurate. I was lucky as a kid to be exposed to so much different material. I watched cartoons and read all kinds of comics as much as I buried my head in scary stuff. It makes going from talking animals one day to shape-shifters the next pretty easy. Truth is, most composers are pinballs. They can bounce around from style to style and adapt really well. (Michael Wandmacher)

Composing a score is like getting in one of those mini-submarines that take you to the bottom of the ocean. You crawl into this little bubble, seal yourself away from the outside world and dive deep into uncharted territory. Sometimes the places you explore are dark, sometimes they're light. If you have the right tools and knowledge you can explore wherever you like and have a great experience. It's a crude analogy to genre hopping, but it's accurate. I was lucky as a kid to be exposed to so much different material. I watched cartoons and read all kinds of comics as much as I buried my head in scary stuff. It makes going from talking animals one day to shape-shifters the next pretty easy. Truth is, most composers are pinballs. They can bounce around from style to style and adapt really well.

Michael Wandmacher

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