What do you have to lose? What do you have to lose? And a lot of people are saying that when ... and are taking it, if you're a doctor, a nurse, a first responder, a medical person going into hospitals, they say taking it before the fact is good, but what do you have to lose? They say, take it, I'm not looking at it one way or the other, but we want to get out of this. If it does work, it would be a shame if we didn't do it early. But we have some very good signs. So that's hydroxy chloroquine and as azithromycin, and again, you have to go through your medical people get the approval. But I've seen things that I sort of like, so what do I know? I'm not a doctor, I'm not a doctor, but I have common sense.
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approval common doctor early fact good looking lose medical nurse people person say saying seen sense shame sort take taking way work responder azithromycin chloroquine things hydroxyRelated quotes
As we saw, there is a large class of personal names and name-elements common to the Late Books and hymns of the Rigveda (386 hymns in the Late Books of the Rigveda and 8 Late hymns in the earlier Books), and to the Avesta (the bulk of the names, right from the name of the first composer of the Avesta, and the names of his closest associates), the Mitanni (including every common name element known), and the Kassites (the only known name). These names and name-elements are fundamental to all four groups, but completely absent in the Early and Middle Books of the Rigveda (apart from the 8 Late hymns mentioned earlier). And all these names and name-elements are very common in post-Rigvedic texts.
Shrikant Talageri
So, ungentle reader, (as you and I value what we should ashamed-after witnessing a few minor circus-marvels-to call our "lives,") let us never be fooled into taking seriously that perfectly superficial distinction which is vulgarly drawn between the circus-show and "art" or "the arts." Let us not forget that every authentic "work of art" is in and of itself alive and that, however "the arts" may differ among themselves, their common function is the expression of that supreme alive-ness which is known as "beauty." This being so, our three ring circus is art-for to contend that the spectacle in question is not an authentic manifestation of "beauty" is as childish, as to dismiss the circus on the ground that it is "childish," is idiotic.
E. E. Cummings
Three points make me hardy to ask it. The first is, because it is so low a thing: for if it were an high thing I should be a-dread. The second is, that it is so common: for if it were special and privy, also I should be a-dread. The third is, that it needeth me to know it (as methinketh) if I shall live here for knowing of good and evil, whereby I may, by reason and grace, the more dispart them asunder, and love goodness and hate evil, as Holy Church teacheth. I cried inwardly, with all my might seeking unto God for help, saying thus: Ah! Lord Jesus, King of bliss, how shall I be eased? Who shall teach me and tell me that me needeth to know, if I may not at this time see it in Thee?
Julian of Norwich
In examining any dictatorship, there are two good tests. Firstly, what is the relation between the rulers and the proletariat or common people? Are the rulers members of the proletariat, as they would have you believe? Do they even identify their interests with those of ordinary citizens? The truth seems to be that, no matter where you find them, the so-called proletarian dictatorships are actually controlled by a small elite who ordinarily lose little sleep in worrying about the rights of the common man. Secondly, have the proletariat any effective say in what the rulers do? In the proletarian dictatorships I am familiar with, ordinary people enjoy little or no control over their Government or over their own lives and futures.
Muhammad Reza Pahlavi
And I learned very early [Josef Albers was then ten years old] how to make imitation of wood grain. This is something I have in common with Georges Braque. Braque also learned very early from his father how to imitate marble or wood grain. So I could easily make the appearance of oak or walnut on pine. That is very easy; a very simple technique. And I learned how to imitate marble. I never made such a good joke as Braque did. When he was in the Mediterranean he fooled his friends. He painted a rowboat that had wood on one side and marble on the other side. You see, when he'd row out of the city it looked as if he were in a boat of a different material than when he came back, you see, one side was imitation wood and the other side was imitation marble.
Josef Albers
