In my use of the camera, I work to make images that go beyond, and even undermine, the conventions of "point of view." Such images transcend the limitation that would seem to be inherent in the photographic mechanism (or "point-of-view machine"). They allow the viewer to see and feel the "room"-or the world, or reality-as it is, beyond the ego's self-reference. And such images thereby become a non-verbal means of "picturing" the essential human process of ego-transcendence-going beyond the fixed "point of view" of the ego, or the core presumption of separateness. (Adi Da)

In my use of the camera, I work to make images that go beyond, and even undermine, the conventions of "point of view." Such images transcend the limitation that would seem to be inherent in the photographic mechanism (or "point-of-view machine"). They allow the viewer to see and feel the "room"-or the world, or reality-as it is, beyond the ego's self-reference. And such images thereby become a non-verbal means of "picturing" the essential human process of ego-transcendence-going beyond the fixed "point of view" of the ego, or the core presumption of separateness.

Adi Da

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beyond camera core ego essential human limitation machine mechanism picturing point presumption process room see use view viewer work world means non-verbal point-of-view self-reference separateness

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