Voulagris asked me to find film funding for what was to be the last but unfinished film project of Elia Kazan, a personal friend of Voulgaris. The subject of the film was the immigration of the Kazan family from the beleaguered Greek minority communities under Turkish rule in Asia Minor to the safe haven of the USA where the Kazan family settled. I arranged a meeting between Elia Kazan and the London based film financier Frixos Constantini of Poseidon Films at the Grand Bretagne Hotel in Athens. What followed from this meeting is that Mr Constantini put Elia Kazan in touch with Martin Scorsese a personal friend of Mr Constantini and who also runs the production company Cappa films. And so it was that these two giants of US cinema met for the first time.
Angelique RockasRelated topics
company family film financier find friend funding immigration last met production project rule safe time touch under asia usa kazan cinema scorsese runs poseidonRelated quotes
What should be the profession of faith of a sound but reasonable Imperialist? He will not be possessed with any secret desire to see the whole of Africa or of Asia painted red on the maps. He will entertain not only a moral dislike, but also a political mistrust of that excessive earth-hunger, which views with jealous eyes the extension of other and neighbouring European nations. He will have no fear of competition. He will believe that, in the treatment of subject races, the methods of government practised by England, though sometimes open to legitimate criticism, are superior, morally and economically, to those of any other foreign nation; and that, strong in the possession and maintenance of those methods, we shall be able to hold our own against all competitors.
Evelyn Baring, 1st Earl of Cromer
As absurd as it might sound, there's a strange synergy between very bad movies and very good ones. That's because films on either extreme of the quality scale have the ability to burrow deep into the subconscious, with unpredictable and occasionally remarkable results. Great works of art can cause euphoria, touch a deep emotional chord, or, in rare cases, affect fundamental changes in a person's outlook on life. Conversely, viewing unwatchable tripe can be damaging, possibly resulting in psychotic episodes, an appreciation of '70s fashion, or leaping to the defense of Pauly Shore. There's something almost profound about enduring a horrifically inept piece of cinema, and Coyote Ugly, living up to every letter in its name, offers the opportunity for such an experience.
James Berardinelli
There are various ways of flattering, and, of course, you must adapt your style to your subject. Some people like it laid on with a trowel, and this requires very little art. With sensible persons, however, it needs to be done very delicately, and more by suggestion than actual words. A good many like it wrapped up in the form of an insult, as-"Oh, you are a perfect fool, you are. You would give your last sixpence to the first hungry-looking beggar you met;" while others will swallow it only when administered through the medium of a third person, so that if C wishes to get at an A of this sort, he must confide to A's particular friend B that he thinks A a splendid fellow, and beg him, B, not to mention it, especially to A. Be careful that B is a reliable man, though, otherwise he won't.
Jerome K. Jerome
Everyone who wishes to help bring the world out of the economic woes will line up to get a chip implanted! It's safe, simple and already available. It's been tested on animals for years. One little chip under the skin and everyone can be identified and conduct business electronically! No more theft, bad checks, waiting for checks to clear, stolen credit cards, armored cars, stolen ID, waiting lines at stores or airports, etc. Just little archways to walk through that can quickly scan who you are and automatically deduct the "cash” from your account or verify your identity! Simple! Anyone who resists this "obvious solution” will be an enemy of the state. Oh, and one more minor insignificant thing. No more privacy or independence. Big brother will be watching everything.
Kent Hovind
Often we were joined by Maurice Princet. Although very young, he held an important post in an insurance company which he owed to his knowledge of mathematics. But outside his profession it was as an artist that he thought of mathematics, as a specialist in aesthetics that he evoked continuities in n dimensions. He liked to interest painters in the new visions of space that had been opened up by Victor Schlegel and several others. He succeeded. After having heard him by chance, Henri Matisse was caught reading an essay on hyperspace. Oh! it was only a potboiler [un ouvrage de vulgarisation]! but at least that shows that for the great 'fauve' the days of the painter who knows nothing, who runs towards a pretty subject with his beard blowing in the wind, was passed.
Jean Metzinger
