On Charley Patton's voice and music style: I heard this fella, and his voice sounded like my voice. I'd always thought, ‘Well, I could never be a singer with this horrible voice'. I hated it. Absolutely hated it. Still do. But he sounded like the same kind of thing. I didn't know black American terms: a boll weevil or turnpike blues. But there was an emotion that clicked with me. I became fascinated with gospel blues. I still play more gospel than Chicago. I very rarely go anywhere near that speed, aggression, Clapton thing. Someone once reviewed me, saying the testosterone was missing from my blues solos, because I don't do Chicago. It's just alien to me.
Chris Rea
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[India is the] lost paradise of all religions and philosophies," "the cradle of humanity," and also its "eternal home," and the great Orient "waiting to be discovered within ourselves."... "mankind's origins can be traced to India, where the human mind got the first shapes of wisdom and virtue with simplicity, strength and sublimity which has - frankly spoken - nothing, nothing at all equivalent in our philosophical, cold European world."... "O holy land (India), I salute thee, thou source of all music, thou voice of the heart' ... "Behold the East - cradle of the human race, of human emotion, of all religion."
Johann Gottfried Herder
For not one of us asserts that "God partakes of form or colour.” Nor does He even partake of "motion,” because He stands firm, and His nature is permanent, and He invites the righteous man also to do the same, saying: "But as for thee, stand thou here by Me.” And if certain expressions indicate a kind of motion, as it were, on His part, such as this, "They heard the voice of the Lord God walking in the garden in the cool of the day,” we must understand them in this way, that it is by sinners that God is understood as moving, or as we understand the "sleep” of God, which is taken in a figurative sense, or His "anger,” or any other similar attribute. But "God does not partake even of substance.”.
Origen
I'm waiting. ... For something new and strange,
Something I've dreamt about in some deep sleep,
Truer than any waking,
Heard about, long ago, so long ago,
In sunshine and the summer grass of childhood,
When the sky seems so near.
I do not know its shape, its will, its purpose
And yet all day its will has been upon me,
More real than any voice I ever heard,
More real than yours or mine or our dead child's,
More real than all the voices there upstairs,
Brawling above their cups, more real than light.
And there is light in it and fire and peace,
Newness of heart and strangeness like a sword,
And all my body trembles under it,
And yet I do not know.
Stephen Vincent Benét