Psychologically speaking, what such findings seem to mean is that an achievement is not only more frequently present in stories from more rapidly developing countries but when it is present, it is more apt to be "means” oriented rather than goal oriented. The achievement sequence more often dwells on obstacles to success and specific means of overcoming them, rather than on the goal itself, the desire for it, and the emotions surrounding attaining or failing to attain it. The adaptive quality of such a concern with means is obvious: a people who think in terms of ways of overcoming obstacles would seem more likely to find ways of overcoming them in fact.
David C. McClellandRelated topics
desire developing find likely mean people present quality sequence speaking specific success think means waysRelated quotes
The desire for security, very marked in women, draws the weaker among them to men who, by their strength or ability, seem to offer protection and support. In time of war they count a warrior's scalps; in time of peace they hunt for genius or wealth. To the man in love the giving of gifts is a way of asserting his power. The penguin and the banker offer pebbles of varying brilliance to their respective loved ones. The finch presents twigs and leaves to its mate as the young man presents woolen threads in the form of carpets and curtains to his fiancee. The swallow and the woman begin to thing of the nest the moment they have chosen their males.
André Maurois
The concepts which now prove to be fundamental to our understanding of nature-a space which is finite; a space which is empty, so that one point [of our 'material' world] differs from another solely in the properties of space itself; four-dimensional, seven- and more dimensional spaces; a space which for ever expands; a sequence of events which follows the laws of probability instead of the law of causation-or alternatively, a sequence of events which can only be fully and consistently described by going outside of space and time-all these concepts seem to my mind to be structures of pure thought, incapable of realisation in any sense which would properly be described as material.
James Jeans
Caring for people often takes the form of concern for the quality of their stories, not for their feelings. Indeed, we can be deeply moved even by events that change the stories of people already dead. We feel pity for a man who died believing in his wife's love for him when we hear that she had a lover for many years and stayed with her husband only for his money. We pity the husband although he had lived a happy life. We feel the humiliation of a scientist who made a discovery that was proved false after she died, although she did not feel the humiliation. Most important, we all care intensely for the narrative of our own life and very much want it to be a good story, with a decent hero.
Daniel Kahneman
I refuse to play the wink-wink-nudge-nudge game with readers. I don't like whimsy because it doesn't treat the fantastic seriously, and treating the fantastic seriously is one of the best ways of celebrating dialectical human consciousness there is. The one-sided celebration of the ego-driven contextually constrained instrumentally rational (as opposed to rational in a broader sense) is bureaucratic: the one-sided celebration of the subconscious, desire/fantasy driven is at best utopian, at worst sociopathic. The best fantasies-which include sf and horror-are constructed with a careful dialectic between conscious and subconscious.
China Miéville
Men fall, roughly speaking, into two flocks: Those whose intelligence is uninquiring in the face of Art, and does not demand to be appeased before their emotions can be stirred; and those who, having a speculative bent of mind, must first be satisfied by an enlightening quality in a work of Art, before that work of Art can awaken in them feeling. The audience of the realist is drawn from this latter type of man; the much larger audience of the romantic artist from the former; together with, in both cases, those fastidious few for whom all Art is style and only style, and who welcome either kind, so long as it is good enough.
John Galsworthy
