I am simply painting concrete representation of abstract emotions such as innocent love, ordinary happiness. I do want an emotional response. And I paint about emotions, not about lines. The truth is that it's not the lines that express the emotion. It's the scale of the composition. You know, if you go into a room that has perfect scale, you feel it... If the painting has perfect scale, it moves you. And you have different scale to show different emotions. It's the space between the lines that counts.
Agnes MartinRelated topics
abstract composition concrete different emotion emotional express happiness innocent love ordinary painting paint perfect representation response room scale show space truth counts lines movesRelated quotes
I do not want to make a stone horse that is trying to and cannot smell the air. How lovely is the horse's sensitive nose, the dogs moving ears and deep eyes; but to me these are not stone forms and the love of them and the emotion can only be expressed in more abstract terms. I do not want to make a machine that cannot fulfil its essential purpose; but to make exactly the right relation of masses, a living thing in stone, to express my awareness and thought of these things.
Barbara Hepworth
We speak of concrete and not 'abstract painting', because we have finished with the period of research and speculative experience. In their search for purity artists were obliged to abstract from 'natural forms' in which the plastic elements were hidden, in order to eliminate natural forms and to replace them with 'artistic forms'. To-day the idea of 'artistic form' is as obsolete as the idea of 'natural form'. We establish the period of pure painting by constructing 'spiritual form.
Theo van Doesburg
It is the bareness of drawing that I like. The act of drawing is what locates, suggests, discovers. At times it seems enough to draw, without the distractions of color and mass. Yet it is an old ambition to make drawing and painting one. Usually I draw in relation to my painting, what I am working on at the time. On a lucky day a surprising balance of forms and spaces will appear and I feel the drawing making itself, the image taking hold. This in turn moves me towards painting -anxious to get to the same place, with the actuality of paint and light.
Phillip Guston
Yet actual physical size has an emotional meaning. We relate everything to our own size, and our emotional response to size is controlled by the fact that men on the average are between five and six feet high... If practical considerations allowed me, cost of material, of transport, etc., I should like to work on large carvings more often than I do. The average in-between size does not disconnect an idea enough from prosaic everyday life. The very small or the very big [sculpture] takes on an added size emotion.
Henry Moore
An example: if I compose a picture using as objects a scrap of bark, a scrap of butterfly wing and a purely imaginary form, you probably won't recognise the bark, or the butterfly wing, and you'll say: 'What does this stand for? It is an abstract picture. No it's a representational picture'.. .There is no such thing as 'abstract', or 'concrete' either. There is a good picture and a bad picture. There is the picture that moves you and the picture that leaves you cold.. .A picture has a value in itself, like a musical score, like a poem.
Fernand Léger
